"Orfanato" - Episódio 04 - Ordem Paranormal: Desconjuração

GM: Hello! Have a blessed night, everyone who's watching. I am Cellbit, and welcome to yet another episode of Decojuration, my special RPG where my friends and I come together every Saturday to play RPG. RPG is a roleplay game where I create a story, I write a story, characters, a whole world, puzzles, mysteries. And my friends are the main characters of this story. Each one of them created their own character with their own personality, each one of them interpreted their own character to unveil the mysteries I give them. And here we are with all of our

little friends. Good night everyone. How are you all? Luba: Blessed good night! Rakin: Blessed good night! (GM: Blessed good night!) Guaxinim: [In English] A lot of good night, right? Luba: Hi, chats! Triz: Hi chat. (GM: Are you excited for today?) Luba: Way too much, dude. (Triz: Yes!) Calango: I'm very thrilled, very thrilled. GM: Today we have our first record here. We never had this many players in a single session. Today we have seven people to play with. Uhm, although some of them are, y'know, quite damaged. We don't know if they will all go to the

mission. But I am excited for today. We have an orphanage, much probably, coming around. Rakin: Nice, dude! (Luba: The Man&Freak, right?) Calango: That's a pretty cool orphanage, dude. GM: I don't know why I keep trying to give cool names to things. Every time, uh, Calango, don't you want to name it instead? Let's do it like this, you send a list of random names and I'll use yours. Guaxinim: But it's his job to ruin these names. GM: Mr. Velociraptor. Man&Freak. What will be the next one? Calango: Yeah, man, I'd say that's one of my greatest talents.

GM: I genuinely think some people truly believe it's actually Velociraptor since you say it so many times. I've seen many people genuinely believing he's called Mr. Velociraptor. Calango: No, but I've learned now, I'm now saying Mr. Verity, man. GM: That's true, that's true. You even changed your own name, then you have to learn eventually. You even changed Kaiser. Now I'm the one getting it wrong and calling him Cesar. GM: I'm thrilled for today, I'm anxious. I believe it'll be a very good session. Rakin: How many kills? How many kills will you do today? GM: I'm

thinking, I'm thinking about. Rakin: Only three? GM: Are you anxious, Rakin? I missed playing with you, man. Rakin: Nah, I missed playing, dude, I couldn't stand being locked in that cubicle anymore look at the size of that cell, bro! My goodness, the thing is like a single cubic meter. Guaxinim: Hey, don't you even start, the order always gives omelet to everyone. Rakin: Wow, back in my day the order didn't even give you utensils to eat, you had to eat with your own hands. Now the dudes have bikes, have vans, have nitro, have it all. GM:

Are you seeing that, dude! And they complain about having to buy ammo, the audacity. GM: Right... Rakin: Way too spoiled. GM: Uhm, let's go then, right to the opening, and when we come back we will be in Decojuration’s universe. Luis: Woo! GM: Let's go. Luba: Leggo. [Opening POD] GM: Very well, very well. [laughs] Luis: Oh, Cellbit. GM: Is everything alright, guys, what is going on? Everyone: Nothing, nothings. GM: Listen well- [laughs] Luis: No, nothing, nothing happened, nope. GM: You were in search of a missing agent, called Elizabeth. And this group of agents that we grouped,

in search of her, found themselves in front of a diabolical cult hidden in a flat, inside a building. This cult seemed to kidnap homeless people and send them somewhere inside of trucks. Investigating the leader of this cult, you found the mysterious location where these people were being taken to. An orphanage called: Orphanage St. Menefreda, and not St. Man&Freak. The orphanage where one of the agents, Beatrice, grew up. But the location of this orphanage had vanished from the internet. Somehow, something deleted every file and documents related to it. Investigating, you found out that who was behind

all of this was actually an old member of the order, Arnaldo Fritz, who has been dead for over ten years. After confronting Mr. Verity with that information, you found a photograph of the children of that orphanage which revealed a secret. Dante, one of the occultists locked at the beginning of the year, also grew up in this orphanage. And he was in the order's base, right at this moment. You then went to the cell where Dante was being held. Opening it up, to see who was inside, a blond man, with light eyes and glasses, fixed his

glasses. He raised and smiled. And it's from here that we continue. D: Hi guys, how are you? B: Dante? Is that really you? D: Lílian? B: Lílian? B: Dante, it's me, Beatrice. D: Wow, I'm sorry, I don't know who you are. I think you're confusing me with someone else. B: I'm sure I'm not confused. We grew up together at the orphanage! D: Hmm, what orphanage? You mean St. Menefreda? J: Newbie, are you sure that's him? B: Yes, it's obvious I'm sure, we even saw him in the photo, it's obviously him! B: Erin recognized him as

well! D: What photo are you talking about? Guaxinim: Do I still have the photo, GM? GM: Yeah, the photo, let me see where the photo is, I'm not sure if the photo is on the map or not, I'll pull it again. Here's the photo. It's a bit dark isn't it, I'll drag it to the streets. Hang in there. Guaxinim: Ok. anyway I take out the photo like this and say: A: Hey, here, Bea, show it to him. Triz: I'll take the photo from his hand and pass it through the bars for him to see. Rakin:

I took the photo. (B: Can you see?) B: This one is me, and that one is you! D: No, this one is for sure me, but- I don't know if you're confusing me with some- B: No! This one is me! Right beside you. Playing with your hair, don't you remember? always braided your hair, we lived through so much together! D: Wow, I'm sorry but really, I don't remember. I do remember the orphanage but there were many children, right, it's been some time. B: No, Dante! There's no way you've forgotten. D: Well, I'm sorry, I don't

know from where you know me, really. My name is Dante but I do not remember you, I'm sorry. B: You're the boy in the photo, are you not? D: No, it certainly is me, I just don't remember. Forgive me. J: You must have forgotten... (B: I'm the girl beside you...) ...when you became an occultist piece of shit, mustn't you? D: Hm, it could be. J: Newbie, I don't like this guy. He's up to something. It's not the first time I see things like that. D: Well... (B: I don't even know what to say) if I'm

being honest. D: To be truly sincere, I don't know you, there's nothing for me to plot inside here. Uhm, I'm sorry if that's what you feel about me. Guaxinim: Arthur gives a side look to the cell since he's around the side, then asks Dante: A: Uhm… How did you end up here? D: Ah... Wow, a big issue happened. I deserve to be here. ???: I can answer that. GM: You hear a voice coming from the corner. Then, when you look to the side you see Mr. Verity, coming walking in your direction. Lemme put him, I’m...

Order... Verity... Here. He comes walking. J: Mr. Verity? A: Sir? Mr.V: This-This occultist...Dante is his name, right? D: Yes, sir. Mr.V: Why haven't you said anything before? Why did you suddenly start talking? He had never opened his mouth all this time he's been in here. J: It's because he clearly recalls the newbie, but wanted to mess with her after realizing how anxious she's gotten. Mr.V: I don't think... (J: These people are worthless.) Mr V.:...it's only that. He was arrested in quite confusing circumstances. We never caught him actually doing any crime. He was just in a

scene where an agent had been attacked and a creature had been summoned. But every time I tried to confront him, to try to understand the situation, he simply stared at me and didn't reply. It was almost as if he wanted to be inside the cage. But I- I feel kindness in his eyes, I know that look. B: He's a good person! (Mr. V: I've seen it before.) B: He's a good person. Mr. Verity, could I come in, to try to talk to him? J: Absolutely not! Mr.V: I don't… B: Please, Joui! Mr.V: I wouldn't allow

that if it was any other inmate. GM: He looks around the other cells. Uhm... They all have faces that you don't recognize. Uhm, only Joui knows one of the faces because he was the one who put one of these guys there Uhm... Mr.V: But this specific one doesn't seem dangerous. And if he tries anything, he knows what will happen. It seems like he's important to your investigation, isn’t he? B: I think so. J: If the newbie gets in that cell, I'm coming too. Mr.V: We'll all be here, Joui, don't worry. J: If the newbie gets

in that cell, I'm coming too. Mr.V: We'll all be here, Joui, don't worry. A: Everything will be alright. Are you sure you want to do that, Beatrice? B: I'm sure. He must remember, Arthur! (A: Sure, sure?) Guaxi: I look right into her eyes. B: He must remember! A: Alright. I trust you. (J: This is an awful idea.) Luba: Are the cells labeled, Master? GM: Uhm, no. But they have, uh, they have two doors, you opened the door that covered the view, and there's still the bar doors, which is between you and him. B: Who has

the key? Mr.V.: You just Uh... You just need to put a password. Give me a second... Or the fingerprint. GM: Uh, there is the little panel to press the fingerprint here, Arthur, you have permissions. Guaxi: Okay. Rakin: I sit on the desk again, OK? (Guaxi: Ok, I'll open it then.) Rakin: On the bed, I mean. Guaxi: Okay, I press my fingerprint. GM: You press your finger, it scans uh, it displays the C.R.I.S. logo. It recognizes you. "Recognized agent: Arthur Cervero." And [beep!] Approved. [PSHH], you hear the door unlocking. Triz: I'll open the door and get

in very quickly, walk towards Dante, hold his face and say: B: Dante! It's you! How can you not remember me? It's me, Beatrice Can't you remember? At the orphanage, we were always stuck together, we were as thick as thieves! All that we've been through. Our names! That grandpa had given us! (D: Wow...) B: Can't you remember anything? All you've done for me. I'm sure it's you! D: Ah, I do remember the orphanage, Father Ronaldo, Sister Thelma I remember the people from there, but I can't remember you, I'm sorry. I don't know what you came here

looking for, but I really don't remember. B: Not just them!! Dante and Beatrice! it's us! Don't you remember? Grandpa gave those names to us, Arnaldo! Dante! Look into my eyes (D: I’m sorry.) B: and tell me you don't know me! D: I don't know you. A: Uhm, what if he doesn't remember any of the children? D: I remember of some of my mates, I remember... Hanna, Gal, but... I just don't remember of any Beatrice, I'm sorry. J: Well, that's it, newbie, he doesn't remember We should leave. B: He could help us. He must help us.

It’s impossible that he doesn’t know... (J: How?) B: He knows other people from the orphanage. He... he grew up there with me he knows everything I also do. And he knows more than I do, because I didn't have any news of him after I left. Luba: Joui… (D: Are you...) looking for the orphanage? Luba: Joui slowly moves closer. He enters the, he stays kind of around here, at the cell's door. J: Occultist. Where is that orphanage? D: Uh, I don't know the exact address, but... I am sure that I remember the way. J: You remember

the way from here? Quite convenient, huh? (D: I don't….) D: Look, uhm, I really don't remember, it's been a while since the orphanage caught fire uhm, but if I... B: The orphanage caught fire? D: You didn't know that? B: When did that happen? GM: Beatrice you remember that, take a look at your record, you remember the orphanage caught fire, it's one of the few things you remember. Triz: Right. D: You don't remember that? You really... [mumbling] How can you not know that? You're looking for an orphanage without even knowing what happened to it? Why are

you looking for the orphanage? J: We're trying to find a missing agent, and all leads to... To occultist events there. And I'm worried that she might be there. D: But why? Why would they want to do anything in that orphanage? J: You tell me. B: That’s what we’re trying to find out, Dante. Triz: P.S. I don’t have any information about an orphanage on fire on my sheet. GM: Uh... you... It’s not on your sheet, it’s in your character guide, I sent you, remember? Triz: Yeah, there’s nothing there. GM: Okay. The last memory... I’m almost sure

it’s written, but maybe you’re not finding it. One of the last memories you have, is seeing on the news that… Oh no, sorry, That’s right. You don’t know that. It’s another thing, I got confused. Triz: Yeah, it’s another thing. GM: I messed up, sorry, that’s right. D: Guys, uh... the orphanage caught on fire 11 years ago. GM: I messed up. D: I remember that day I remember like it was today. Of waking up in the middle of the night, February 11th. B: February 11th? (D: February 11th, 2009.) A: Apparently there’s still activity there, right? D:

If you need, I can take you there, there is no problem. (B: I think we need to do this,) Luba: Joui looks at Mr. Verity. B: Joui... Luba: Kind of seeking his approval. GM: Mr. Verity looks… he’s… You see him with that, that deep and penetrating look, with the eyebrows close in Dante’s direction. Mr. V: Uh... If you go to that... that environment, Do you commit to come back, Dante? D: Of course, I have no reasons to run away Mr. V: I trust my agents enough, they’ll be able to keep you if so necessary. It’s

not something that we would usually do, but... this team isn’t just any team. I trust you guys. GM: He looks at Joui and Arthur. Luba: Joui, he... he just nods and gives him space here. For him to pass through. A: So, let’s go? D: Okay. Rakin: I leave. GM: When you start to leave, he puts his hands on your shoulder, Verity does, Mr.V: You... You met Arnaldo, didn’t you? D: Yes. He was... the closest thing I had from a father. If that’s what you’re asking. J: That means you met a guy named Thiago? D: Who’s

Thiago? A: Yeah, I don’t think so. Luba: Joui just ignores. Mr. V: If Arnaldo trusted you, maybe that’s why I see kindness in your eyes. It’s the same kindness I saw in his eyes. Don’t break my trust. GM: He turns around and walks away. B: Sorry to ask, Joui, but how do you know Arnaldo? J: He’s an old agent of the Order and he is father of the person that saved my life and who also trained me. B: He... A: Saved our lives. B: He’s also like a father to me. (J: Multiple times.) When... (J:

Arnaldo?) B: When I was a child he always visited the orphanage. And... He gave me my name I had another name before but I don’t remember what it was, I have no idea He gave me my name and Dante’s even though he says he doesn’t remember. He always read… (J: Mr. Arnaldo?) B: the Divine Comedy to us. I don’t have many memories of him, but I had a huge affection for him. The only thing I remember is that in 2009 I saw on the TV, the news that the famous actor, Arnaldo Fritz, had died in

an accident I recognized him, he was the man from the orphanage. And... (J: Wait.) B: When I asked my mother what happened she just... changed the subject, you know? This is one of my last memories I think... Can you tell me anything about it? What happened to him? J: Unfortunately I don’t have many details, Beatrice, but as soon as we rescue Ms. Liz, I’m sure she’ll help you and talk more about him. (A: Understand better.) J: But wait... (A: You have a...) J: Sorry Arthur, go on. A: No, you go. J: Uh... Occultist, what did

you call the newbie before? D: Hm, I mistook her for a friend of mine. J: Lilian? (A: That was...) D: Yes... B: Wait, Lilith...? Lilian...? D: A friend of mine, Lilian, but clearly she isn’t her. J: Could that be your old name? B: I don’t know, I don’t know Joui. A: I wish I had met Arnaldo. Guaxi: Then I just turn around and walk ahead to leave. A: Excuse me. J: Arthur, take our friend, please. A: Come with me. D: Ok. What’s your name again? Sorry, I just don’t know how to call you. J: Joui.

D: Joui, and this boy with the scar? Sorry. A: I’m Arthur. Guaxi: I stretch my hand to hold your hand. Rakin: I shake his hands, a very weak handshake. Guaxi: Oh yeah? Mine is very strong, very pleasant to hold, like this. Rakin: It hurts. GM: Guaxi, increase your mic for me, please, just a bit. Guaxi: OK, my king. GM: Thanks. Rakin: When you held my hand I made sure to… When shake hands, I don't know if you'd notice, but my hand is facing down for the handshake. Guaxi: Wow. GM: You see, one thing that we

didn’t pay much attention to, GM: You see that he has tattoos all over his body. Do you want to describe his tattoos? Rakin: Of course. There’s a lot of holistic tattoos, scientific tattoos... Um... Some that look like circles, a bit like the occultists. Some seem alchemical... A lot of allusions to scientific, religious, and different things. You can see at least on the left and right arms, and on the head. Guaxi: So when you give me your hand, after the delicious handshake... A: Wow dude, what a bunch of dope tattoos. D: [chuckles] Rakin: I just laugh

and don’t say anything. A: Okay, so let’s go? D: Wait, what’s the lady’s name? You said it was Beatrice, right? B: You know my name, Dante, it’s Beatrice. D: Got it. No, okay, sorry. I know you could’ve got confused but... We can get to know each other now. Not a problem. Rakin: I turn to follow Arthur. Guaxi: Okay. Triz: Beatrice is a bit in shock, she doesn’t understand any of this situation. In all of these years she'd thought about him, this was the only thing she could not imagine. GM: Perfect. So you follow out of

prison. Luba: Hold on, master. GM: No, sorry, it’s not going, say it. Luba: Joui gets closer to Beatrice. J: Are you okay? B: I don’t understand what’s happening, Joui. He was like... ...like an older brother to me, he took care of me, he’s pretty much everything I remember. I lost 11 years of my memory and he’s one of the only people I remember... ...that I had a relationship with. I don’t know what’s happening. J: Maybe he’s gone through the same thing you did. I don’t understand, maybe, how that would be possible. You lost... ...years of

memories, maybe he lost... J: ...you. B: But he remembers the other kids. J: That’s what I don’t know, maybe a process to forget... ...just you? B: Why? J: I don’t know. I don’t know but I agree, it doesn’t make sense. But everything points to... ...you being the center of these… This ritual of... memory loss, I don’t know, maybe something happened that... ...needed you to be erased. That’s what worries me. B: But I’m completely ordinary. I’m no one. J: Definitely not J: Definitely not. Luba: Joui puts his... hands on her shoulder and: J: You’re not ordinary.

I saw it. B: Thanks Joui, but this is all confusing to me, I don’t know. It’s good to have your support, we need to go now. J: Let’s go. Luba: On the way out do I recognize the guy’s cell? That I arrested? GM: His cell is further ahead, it’s one of the farthest. You know you put him there. But it’s in another section that’s not bright now. Luba: Oh okay. I just peek, from the corner, and leave. GM: Okay. You remember him with a bit of disgust. See his face bring you disgust, considering the situation

you caught him. Luba: Right. GM: So you can leave, you follow down the hall. As you leave the prison, to... ...kill time here, Arthur closes the cells, closes the door and all of the necessary lights. And you go through... ...the whole hall and... meet again in the main room, where Fer… Now is Fernando or…? Sorry, I forgot a thing, I need to take out something. GM: I have to change my color, Okay. Where you meet Fernando and Erin, that are at the table, talking, and Kaiser at another table on the side. Guaxi: I’m bringing everyone.

GM: YPlease, bring yourselves. (Rakin: Bringing the troupe.) Guaxi: I brought them, I did. Luba: I’m scared to click... Luba: I don’t wanna click. (GM: You can click if you want...) GM: Just not the right button. Do whatever with the left one. Luba: I don’t want to. GM: Luba, you are allowed, you won’t fuck up the map anymore. Rakin: Wow, I'm scared of clicking flip. GM: Yes. For the love of God don’t destroy the table. Who’s Larissa Manoela, man? Calango: Luis. GM: Oh, okay. Let me promote him. [laughter] Luis: Sorry. Rakin: Larissa Manoela. Guaxi: She’s playing,

she’s the special guest. Luis: Sorry... (Triz: The photo....) Rakin: Oh man, I can't take it. Kalera: Erin turns around... GM: Erin and Fernando, what were you... talking about? Quickly. No need to… Just to know the context... ...you were caught in. Luis: It’s because Erin... GM: She’s wounded, yes. (Luis: ...crazy, right?) GM: Not anymore… (Kalera: Not anymore!) GM: The time passed. (Luis: Not anymore?) GM: You don’t know, but no. She doesn’t think she’s immortal. Kalera: We could talk about the photo. GM: Okay. Kalera: Or the orphanage. GM: So you see them coming back and... the man

you arrested, in that situation... Actually, only Erin did that. He's coming. Fernando, you’ve never seen this man before. E: Ah! Oh... Uh? Wait, that’s Dante, isn’t it? A: He is. (E: What is he doing free?) A: We’re taking him for a walk. E: Guys, sorry, but this makes no sense to me. GM: You him, Fernando, you’ve just never seen him. Luis: Okay… GM: Luciano told you. Luis: I'm just kind of shocked, actually. E: Can someone explain? J: Ah, Erin, under what... circumstances was he arrested? Rakin: I notice Luis’ character… I adjust myself and smile relieved.

E: Why don’t you tell them, Dante? D: It was… ...a very big accident. Luis: I hold Erin’s hand. Kalera: I get closer to him. D: Hm... I don’t know if you want details, but... it was just a very big accident. Everything was… It wasn’t supposed to happen the way it did. B: What happened? D: Me and my friend, we were trying to... ...save a kid... ...and for that, to make that ritual, we needed two volunteers. And... One of them, this guy here in the front... I’m actually relieved he’s okay and… I don’t know who the

other was, But both of them were unconscious and... the ritual went wrong, my friend died and the kid… The kid... didn’t resist. J: You used a child as volunteer? (B: What ritual is this?) (D: No, we were...) A: No, they wanted to save the kid. J: I expect the worst from them. F: What did I do? Tell me, I don’t remember. D: Nothing, you were asleep, you were unconscious the whole ritual. Leo said you were a volunteer, you and the other guy, I don’t know the name, sorry. F: You don’t need to know my name.

D: Okay, I’m just happy that you are fine. F: I… Erin, let’s go... talk to Marcela? GM: Kaiser, you’re checking the photos, right? Calango: Just one photo. GM: Which one? Calango: Can I pull it? GM: You can. GM: I want to show another, that you took also (Calango: This one there.) Guaxi: How cute! GM: The man is wild, dude, he got the photo! What the fuck. How beautiful. Luba: Oooh. (Guaxi: So cute.) Calango: I look smoking a cigar. GM: Cool stuff. We also have, displayed at the table, two other photos. We have... this one. Guaxi:

His face, bro. (GM: I'll put it here.) GM: And we also have the classic. Calango: Nice. I’m only looking at this one, I heard the conversation, but always looking at it. GM: Ok. Luis: Shit, I was very hot. Damn... I was ripped. A: Does anyone want gum? (Rakin: I miss it.) A: It's ending. D: I... I'll take it. A: Here. E: You wanna... Talk to Marcela? (D: Thanks, Arthur.) F: I... I do. (A: You're welcome.) F: Uh... You'll take him back to his cell later, right? A: Yeah, he'll help us and then he'll go back.

F: Wait, he's going to the mission with you? A: He knows where the orphanage is. J: Can we stop wasting time now? Luba: Joui says with his voice a bit louder. A: Alright. F: Can I talk to you guys? Without him nearby. D: I can leave if you'd rather. J: No way in hell. F: But someone has to... (J: Arthur.) B: Talk to me, Fer, talk to me. A: Do you want me to take him to another corner and you talk, and then you tell me? F: That'd be nice. A: Come with me, I'll show

you my mom. D: Okay. Luba: Joui gets closer... (Rakin: Hey, GM!) Rakin: GM, was it visible that Fernando was hurt? GM: Yes, yes, all of them, Fernando and Erin, both have a lot of bandages. Rakin: Alright. GM: Will you do something? No? Okay. (B: Say it, Fer.) Rakin: No, I'll talk to Arthur after they talk. GM: Then you, Arthur and Dante, went to a corner. Calango: I'll look at the documents too, she's at the table here, right? GM: You can get the documents closer to you. Cut and paste them if you'd like to. Calango: No,

it's okay, I'll look at them on the street. GM: Ok but... Bring them closer, just so we know which you're looking at, too. Calango: Right. F: Guys I... I don't know how to tell you this, but... GM: Luis, raise your volume just a bit, your voice is a bit low. Guaxi: It's because you're speaking low. (GM: You are speaking low.) GM: Your volume in comparison to the others is much lower... Got it. F: I... Lu told me that... That guy, Dante, I had never seen him before, it's the first time... He was there, where I

was found already on Lu's body, we were already together. B: But what exactly happened, Fer? F: I don't want to bother, I don't want you guys to waste time, but... B: I wanna know absolutely anything about him. F: But it was the day when... Lu and I became one. J: It was the day you died, correct? (F: It was the day...) F: It was the day I died. Luba: Joui looks at Beatrice. J: He was probably one of those who did this occultist ritual which... joined Luciano and Fernando into one body. B: And what were

you doing, Fer, when you died? F: I don't know anything. F: I was at the hospital, I was... (B: And Lu didn't tell you?) F: Okay at the hospital, Lu went to visit me... B: Why at the hospital? F: I'll... tell you later, I don't... I don't need to tell you now. It's a long story. And... I just remember waking up, looking at my arms, and they were Lu's arms, and then... I blacked out once more. I... just want... Be careful, alright? You all want to transcend, you're now... Calling this guy to go along with

you, I don't trust him much so... F: Be careful. (E: I don't either.) GM: You say that... (J: He's just a tool.) GM: ...And from the corner, from behind, almost like a cartoon character, Agatha shows up. Aga: Did anyone say transcend? [tic] Guaxi: [Laughs] Triz: Beatrice will walk backwards... (Luba: Joui doesn't even look back.) B: Lean against the table, and... Put her hand like this, as if everything around had gone black. Aga: I'm not even kidding, anyone wants to transcend? E: This friend of... (Aga: I still have the book!) J: Beatrice, what happened? (E: I'll

talk to you in a bit!) B: A lot is going on. (Aga: I liked ya!) GM: And she goes back. E: This friend that the... he mentioned... The guy who died who was Dante's friend, it was Leonardo. He was a well... A well-known occultist. Leonardo Gomes. F: Lu told me of him. (E: And he died.) B: I remember something in one of Liz's letters that we read, about this person... GM: Beatrice, roll an Intelligence check for me, please. Triz: Holy shit man, my bad luck hasn't left me yet. GM: [Laughs] OK, you vaguely remember. You

know a boy named Leonardo Gomes grew up with you in the orphanage, but you don't exactly remember who he is. B: I remember that boy as well, now that you repeated his name, he... He was also from the orphanage. J: Is he the friend that Dante mentioned? (F: Guys, what's up with this orphanage?) E: Yeah, he died in that ritual along with Fernando. B: What fucking ritual is this, Erin? What was happening for this ritual? Why did they need to save that child? What happened to them? E: I don't know. I don't know, all I

know is that we managed to arrest that dude... And managed to save Luciano's body. F: What water did you guys drink at that orphanage? That everyone ended up crazy. B: I don't know, Fer, I don't have the slightest idea of what's going on, I know as much as you do. Dante doesn't remember me. B: I... I loved him! (F: At least you're a good person, Bea.) B: Fe, I don't understand what's going on, you know? We grew up together, we lived with the same people, why doesn't he remember me? E: He doesn't remember? B: At

least he says he doesn't, but he can’t treat me the way he has. All we lived together... I loved him, and he is one of the only people I remember. F: But you don't remember much either, Bea. B: And that's why he is so damn important. F: But you can't blame him. B: I'm not blaming him, I just wish to understand what's happened. GM: In the meantime, Arthur and Dante, you are... You go to meet Ivete, who's sorting up some stuff, as always. A: Hello! Iv: Hi Arthur, what happened? Iv: Who's this one? (A: Look

here.) A: He's a guy who was arrested, we released him. Iv: An occultist?! A: Yeah. But it's alright. A: Mr. Veríssimo said he trusts him. (GM: She stares scaredly) Iv: Does Mr. Veríssimo know what you're doing? A: Yes, he was the one who let him go. Iv: Okay? Uh... GM: She pulls some guns closer to herself. Iv: Do you need anything? Handcuffs? A: No, do you need anything? Guaxi: I look at Dante. GM: She looks scared. Iv: Arthur?! D: I believe everyone wouldn't be too comfortable with me carrying anything from here. I'm chill, but thanks,

Arthur. A: Okay then. And gum, is yours over? D: No, it still has flavor. A: Mine has none. (D: It's mint-flavored, right?) Guaxi: And then I put another one. It didn't end, I just put it in my mouth. D: I wanted to talk to you about something, Arthur. I saw that Fernando seemed very wounded. What happened to you guys? Fernando and that girl I don't know. A: We're looking for this agent, we told you earlier, and before finding out we have to go to this orphanage we went to a... very hardcore place, and we ended

up a bit wounded, see my neck, I've been bitten. GM: You see in his neck some bandages covering what seems to be a human bite. It's quite ugly. D: If you'd like I could take a look... at your wound. A: Sure, take a look. At least he didn't bite me here, where my tattoo is. Rakin: Master, what do I see about the wounds? Can I treat it, has it been treated already, how is it? (GM: It's been treated,) GM: It's been well treated, you don't even need to roll for it. D: They've done very good

treatment already. A: Yeah, we have Marcela here, she's awesome. A bit expensive though. D: I don't know if you trust me, but... I feel like you're the only one who believes I have no bad intentions, if you'd like I could try to take care of your wound. A: That's fine. And it's not that I trust you, but I trust Mr. Veríssimo; Mr. Veríssimo trusts you so I end up trusting you because of that. D: That's fine. A: But for now you're not showing to be much of a bad person. D: It's because I wanted to

offer you some help at least, but it's okay, if you don't want, I fully understand. A: No, now there's no need because I'm fine, but, next time I get hurt, I know who to ask for help, because I don't really have the money to pay for another treatment. D: That's a deal. GM: You see Ivete, she leaves and she goes, she checks the locker, closes the door and locks it. A: Look at my kitty. Rakin: I want to pet the kitty. GM: (She...) GM: Roll a Psychology test for me, please, Arthur. Guaxi: Me? GM: Yeah.

Guaxi: OK. GM: Do you pet the kitty? Guaxi: Yes. GM: She allows it and she starts... [PURR] GM: Psychology. Guaxi: Wait, me or Dante? GM: You. Guaxi: OK. I rolled Psychology, and it was a regular success. GM: Regular? GM: You see that she seems to be staring at the locker for some time, then she returns. A: Is everything OK, mom? Iv: What, Arthur? No, no, yeah, yeah, I just... thought I heard something. A: You sure? Iv: Yeah, yeah, I'm OK, relax. Don't you have a mission to go to? It's getting late, isn't it? It'll be

dark soon. A: You're right. OK, we'll get going, Take care, huh. Iv: You take care as well, Iv: For God's sake. (A: Always.) GM: Then she looks at Dante. (A: Look at me, I'm still in one piece.) Rakin: I smile at her, not an evil smile, just a little grin. (GM: She looks at you with slight distrust...) GM: She's worried. You're like... her son's stoner friend. You know? Guaxi: [Laughs] (Rakin: I know. Woah.) Luba: [Laughs] Rakin: I can't believe it. [Laughs] A: OK, let's go back to the guys, I think they've already stopped bad-mouthing you.

Guaxi: I turn around and go. GM: [Laughs] Guaxi: [Laughs]. (Rakin: [Laughs].) Kalera: Before that, Erin slowly walks up to Ivete, before they leave, actually, she side-eyes Dante. (Guaxi: Oh, before.) Kalera: And passes by him. E: Ivete, do you have any materials left? I'd like to make another lil' grenade. Iv: Sure! They're here. GM: She starts searching for it, you can already add, you can buy the 80 pieces. Kalera: Sweet. GM: Going back to this team... Kalera: I get the items, then I go back up. GM: OK. Kalera: I walk towards Joui. E: Joui! Uh... (J:

Hi.) E: Is Sakura a good name? J: Depends what for. Why? E: Nothing. Do you like it? J: Yes. E: OK. Kalera: I sit here, messing with the grenade GM: You see... GM: Arthur and Dante have returned already... (Luba: Joui gets a little flustered.) Guaxi: On the way here, I started to walk faster, with my face slightly worried, and I went right at Kaiser. GM: OK. A: Kaiser. Hey, Kaiser. K: Sup. Calango: I'm looking at the photo, with all the documents on the table, with the news clipping that we found and etc. A: The eyes,

the eyes. K: What about them? A: I think Ivete is also seeing them. K: Why so? A: Because she was looking at the locker and then she got scared, looked at me and said "oh, there's nothing here" but I think there was. (Luba: Can I roll a Listen?) K: Arthur, I think it's unlikely that... (GM: You can.) K: Ivete's seeing... the same thing we are seeing. A: But what if she is? What if she's in danger? Kaiser, what if she's in danger? (J: Regular.) K: We could ask her. Rakin: I'm facing everything that's on the

table, OK? (Luba: Did I hear it?) GM: Just a bit, actually, because you got regular. If you had rolled a good, I'd let you hear it all. Luba: Can I hear only “eye”? GM: You just heard something about Ivete. Luba: OK. K: Arthur, she's the only one we have, we could tell her what's going on I mean... what if she gets too worried? A: We can talk about it later, let's solve this Liz issue first, then we can solve all of this. (K: Oh, I...) J: Just a moment, Beatrice. Luba: Joui gets closer. K: But

hey, is the dude a nice guy? A: Yeah, he didn't get anything... (J: No.) K: Why? J: What were you saying about Ivete? A: I think she's seeing the eye as well. J: Again? A: Yeah. J: Another person?! A: It seems so. K: We don't know yet, Joui, we will talk to her. Uh, but more importantly, is the guy dangerous? A: Oh, I didn't think so, no. He even offered to fix my wounds but they're already good. (J: What?!) J: What do you mean, fix the wounds? A: Like, heal them, I think. J: With an

occult ritual? A: That I don't know, I didn't ask him to do it. K: Uh-huh. OK! Guys, I studied those newspapers' clippings you had found that I hadn't seen up until now and I think we can already connect some dots with this. With what we... (A: Ah, guys, come here.) Guaxi: I just call the guys like this. K: Oh, OK. Calango: I put one hand on the table and one on my forehead. I grab my photos and take them away. (GM: [Laughs] Okay.) GM: He takes all the photos. (Guaxi: [Laughs].) GM: Let me get them...

Rakin: I'm looking at all the other tables, Master. While they're focused on that one, seeing what they were seeing. (GM: OK, OK. You all see Dante's alone.) Luis: I will go to the other side, to stay as far as possible from Dante. Guaxi: I put my arm on Kaiser... because I know he's shy, poor one. Calango: [Laughs]. K: Hm, Arthur, call the guy. K: He’ll… (A: Guy?) K: He’s coming with us. (A: Who?) K: The new guy! A: Dante! Guaxi: I wave my hand. D: Hey? A: Come here. (D: Sorry.) D: Sorry, I thought you

guys were discussing things, sorry. K: You’re coming with us, aren’t you? You should listen. D: Okay. K: We… D: What’s your name? Sorry. (K: Before...) K: It’s Kaiser. (D: I’m Dante, nice to meet you.) Luis: As soon as Dante comes by, I return to the other side.) OK, OK, OK. (Everyone: [laughs]) Kalera: I approach him. Guaxi: It's like musical chair, man. Kalera: I kind of stare at him, you know? GM: OK. Menacingly? Kalera: Kind of suspecting him. GM: Right, right. Rakin: I only look at her wounds. ...and turn back. (Guaxi: Picturing her "mad" face...) Guaxi:

...looking at him. K: So guys, after we came back, these newspaper clippings seem to make a little more sense. There’s this bigger clipping here. Calango: Then I put this big one on the table. GM: OK. K: It seems like... it’s what we suspected. They were taking homeless people out of the streets to do... to fight with... zombies, I don’t know. And apparently, the police wasn't interested in investigating that, which can imply that the police could be involved with this in some way, or I don’t know. Or in a way, they also see the homeless as

despicable beings and disappearing is profit, I don’t know, who knows. GM: In addition to that, you, from Ordo, you developed C.R.I.S because, as the membrane is really fragile, the world is full of crime and the police is full, full of crimes that they can’t solve. (Calango: Oh, okay.) GM: So a crime… They are, like, freaking out with dozens of deaths they don't know what to do with. So, the fact that they didn’t investigate this, isn't so unusual. Calango: OK. K: Besides that, the only.... newspaper clipping I saw that didn't make much sense, were these elderly

people who claim to have visions of their dead son. It's something that apparently happened 30 years ago. I heard... the new guy, Dante, right? D: Me? K: You talked about a kid, right when you said that I had this in my hands, but I don’t think it was that. How old are you? D: I’m 27. K: Yeah, apparently this this kid in the cutout, died 30 years ago, so I find it unlikely that... do you know anything about this, Dante? Calango: I hand him this newspaper cutout. D: More than 30 years ago? K: Yeah. I…

For a moment, I thought it's the kid you were talking about. But, apparently, it’s not. The dates don’t match. (D: But it's…) Rakin: You gave me this one, right? (GM: You’re looking at the wrong one.) Rakin: You gave me this. (Calango: It’s this one. Yeah.) Rakin: Got it. D: No. No, this is really strange because it happened around six months ago, if I’m not mistaken. GM: The arrest was in January. Triz: Can I roll an Intelligence to see if I... recognize anything about this Denis Batista? GM: You're... (Calango: I was going to ask this.) GM:

OK, so let him ask. K: And Denis Batista, do you know him? D: That’s the kid’s name. K: The kid you were talking about? D: Yes, this was the kid we were trying to cure. D: It was a terminally ill kid. (GM: Fernando, roll an intelligence for me, please.) Luis: Knew it. Extreme. GM: You remember… Damn, extreme, fuck. The kid was in the same hospital as you, you are sure about this. F: Denis was in the same hospital as me, wasn’t he? The... GM: St. Mathilde. F: St. Mathilde. K: Yes, the kid was in St.

Malthide's. OK, so You will be able to help us more about it, Fernando. (J: Wait.) K: Hey. J: But what... What exactly were you treating this child for, Dante? D: He was terminally ill, I don’t know the exact procedure, all the doctors said there wasn't anything else to do. We... We found out about the ritual and tried to do it, but... it went wrong. J: A cure ritual? D: A ritual to remove the disease. B: How was it supposed to work? B: How would it happen? (D: The kid was supposed to be okay.) D: We

were going to... (K: So you took him out of the hospital?) Luis: Did I know what Denis had? GM: You got an extreme? OK. I’ll give you that. You saw him passing by, because of your extreme I’ll allow this, you remember he had... scoliosis... Severe advanced scoliosis, it was a terminal stage, his spine folded in half. F: I… Poor thing, I remember seeing Denis a couple of times, he had some type of, I don’t know, maybe scoliosis, when the child’s hunchback, with their back crooked and... Poor thing. D: He was one of the… So, about

the ritual, right? The ritual basically needed two volunteers to extract some of their lives, years of life, to give to the child. But... and this guy, Fernando, was one of them. There was another guy that I didn’t get to meet. F: No, but you didn’t meet… I’m not… You didn’t meet me as Fernando, you met me as Luciano. D: Yes, ahn... D: sorry, I didn’t know your names. (F: Probably, the other guy you met...) F: I think... must’ve been me, my body. D: How? I don’t get it. Calango: I whisper to Joui, who’s by my

side: K: He’s Fernando and Luciano? J: From what I understood, yes. K: Okay. J: And this is the guy that did the ritual. F: I don’t understand how you don’t know this, Dante. Luciano said that you probably did this. D: No, I don’t know what you’re talking about. I really don’t know. F: I died there, Dante. D: No, for sure, it was me and Leo, we tried… to heal the kid, but... D: I only remember... F: Was it really, Dante? D: It was exactly that. That was the intention. Leo brought you two to me, and

we were going to do the ritual together to save the kid. The last thing I remember D: is the kid... (F: But you were going to save the kid...) F:... with two volunteers, what did we have to do with that? I don’t even remember, Luciano was the one to tell me. D: If you had the opportunity of saving a child’s life, of someone in front of you, would you ask for the life story of two other people? F: I was dying. D: I didn’t know. F: I was dyin... F: I had a week left, maximum.

how was I going to save the kid? D: I don’t know. F: If I couldn’t save myself? D: The only thing I knew was that a kid, in front of me, who I needed to save, nothing else. D: I’m so sorry. (E: Were they conscious when they arrived?) D: No. E: When Leonardo brought them? D: No, they were unconscious. It's part of the ritual, they had to be unconscious. K: Ahn... Okay. (E: Well...) E: ...it was so successful that it killed Fernando, the kid and your friend. D: Yes. I was in jail for that. K:

Continuing, besides that, there's also this newspaper clipping of the apartments that we went to, we already know that. Also, there’s this one about several women who were found dead in different areas of the city. I was intrigued by the last line on this clipping, you can read something about a creature. K: At first I was worried,... (B: And…) K: ...that this creature could’ve killed Elizabeth, but we need to remember that these clippings were with her, from what we know. So she already knew about this creature, so if she was alert, I find it hard that...

she would be killed by one of these creatures, but you never know right? B: And why only women? Maybe the creature picked them or was it completely random? K: I don’t know. But... the only answer we don’t have is about this clipping that I gave Dante. And... Liz- Elizabeth, had something... She knew the answer. D: Sorry to ask,... (Luis: GM.) D:... but... (GM: Hi.) D: ...who’s this Liz? J: She’s the agent... that’s missing, I told you about her while you were in your cell. D: You think she could be at that orphanage? St. Menefreda? A:

If she’s not there, then we’re screwed. B: Dante, as far as we know,... (D: Okay then.) B: ...deliveries are happening there. Liz was investigating Deconjuration. And we think that the orphanage, where we grew up, could be a headquarters for these people to gather... GM: Dante, roll Intelligence, please. Rakin: Wow, my first RPG roll, I missed this. Luba: Roll it! Luis: GM, is there something at the back table...? (Rakin: And it’s gonna fail.) Luis: Is there a glass cup or something similar? GM: Yes there is, there is. We could say so. Rakin: Wow, Thiago still alive

between us in dice form. GM: [laughs] [laughter] GM: You never heard the word Deconjuration in your life, Dante. Rakin: Perfect man. (E: Wait.) Triz: Shit. E: But you’re gonna tell everything to the prisoner? All of it? A: Ah, if we- (B: It’s just, maybe he can help.) A: Yeah. If we want his- (F: It will be worth it!) Luis: I run to the other table, I grab a glass cup, and I hit myself really hard in the head. GM: A D4 of damage, please. D: What are you doing? J: Hey! Luis: Just a second. I

don’t have it, Luis: can you roll for me? GM: Sure. Rakin: Imagine he dies? [laughter] Rakin: Imagine it hits in his carotid? (GM: Fuck, man) GM: ...you took 4 damage. [laughs] Luis: No problem, it’s no problem, it will be worth it. (E: Fernando?!) Triz: Dude. D: What are you doing? Luba: Joui holds his sword. (Guaxi: The cup broke?) GM: You see him going to the other table, and [Plau!] he smashes the cup, all the glass shards are stuck onto his face, the right side of it. And you all, at that moment- obviously, Fernando, you heartbeat

raises, in a fright, [pow!], Luciano... is here. Luis: I turn around Luis: I look at Dante. (GM: Yellow eyes.) L: What’s happening here? GM: Your face hurts a lot. Kalera: I get closer to him. L: Son of a bitch. Luis: I grab my pistol and aim at Dante’s head. L: What are you doing here?! (J: Hey, hey, hey!) E: Calm down Lu, chill out. E: They need- L: Fuck calm, shut up! L: What are you doing here?! Rakin: I’m quiet. Luis: I’ll run in his direction. Luba: Hey, I wanna intercept that. Guaxi: I kneel here

and get the broken glass. GM: Oh, okay. Luis: [laugh] GM: Roll Dexterity, Joui, to see if you can reach him on time. Luba: OK. Rakin: Nice, dude. J: Regular. (GM: You can’t get there in time.) Kalera: I’ll block his way. GM: Strength. Cause he’s going to try to push you, he’s going to try to run you over. Triz: Beatrice is in a chaotic state, she’s going to grab Joui until it hurts him a bit, Triz: she’s holding very hard. (GM: How much? Okay, you didn't get it.) GM: Kalera... yeah. Kalera: Fail. GM: He runs over

all of you and [pu!], points… Do you have a pistol, Luciano? Luis: Luciano does. GM: Okay, so... GM: He’s pointing a pistol into Dante’s face. L: What the fuck are you doing here? Rakin: I don’t answer and just stare at him, very intrigued. Luis: I look at them. L: Why did you release him? J: Are you going to keep this show? (Rakin: Can I roll Psychoanalysis, GM?) J: Or are you going to calm down? GM: Can you what, Dante? L: Continue this show? (Rakin: Roll Psychoanalysis,) Rakin: to see if I understand. (GM: Yes... Psychology) Rakin:

Psy... Psychology, they're the same, aren't they? GM: No, psychoanalysis is like a sanity first aid. Rakin: Oh, got it. Luis: This show, Joui, this is one of the sons of a bitch responsible for what happened to me and Fernando. J: Yes we know. (E: We all know.) J: And Fernando brought you to answer questions, not to cause more chaos. J: Then let’s all... (GM: But definitely-) J: ...calm down and talk. GM: Dante, this is the guy you met, his voice and manners. You saw little of him, talked even less but he reminds you of him.

Much more than before. Rakin: Got it. L: Was it… Was Fer who did this? E: Yes, you can sit down right now, and shut up and listen too. L: Erin, give me respect. E: Who said to shut up the first time was you. (A: Here, take this napkin.) E: Listen, he’s going to help the guys in an investigation. That’s why he was released, he’s going back to his cell right after. J: I guarantee you this. (L: The friend...) L: ...of this one also said he was going to help me. E: Said what? Guaxi: I'm finishing...

L: I told you, Erin. His friend, L: Leonardo. E: Leonardo. L: He said that he was going to help me. He said he was going to save Fe’s life. These sons of a bitch fucked my life. Are you going to stay quiet? Won't say anything? B: We’re just trying to understand what happened, Lu, if you could talk a bit about all of this. We don't know what happened to Fer nor to you. We haven't been able to communicate, everything is confusing. Guaxi: I finish picking the broken glass up, I get a napkin and move closer

to Fernando. GM: OK. D: Sir, sorry, you said your- L: Thanks, Arthur. D: Your friend, was also sick? L: My husband, he was dying. And your little friend knew that, and so did you. D: Sorry, I- (L: Or are you going to pretend you didn't know?) D: I really had no idea. L: He didn't tell you a thing, then? D: He only told me that there're two volunteers to save the kid. L: No, there weren't two volunteers. The child was supposed to die, that was the plan. D: What? What do you mean? Joui: What do

you mean? L: That kid, he was going to die anyway. L: I... (D: No, he wasn't…) D: What do you mean, he was going to die? What do you mean? L: He was dying, he was about to die. L: He was an orphan. (D: Yes, we're going to save him.) L: No, you were not going to save him. D: Yes, the plan was to save the child. L: No, I've made a deal with your little friend, that I would take some... somebody, someone, something that was about to die and he would save my husband... L:

And that's what I've done. (J: Wait.) J: You kidnapped a child and tried to use him as a sacrifice to save your husband? L: Yes, Joui, do you think I'm proud of that? I'm not proud of that, in the slightest. K: This is a fucking joke. Calango: I get up and leave the place. L: The kid would die anyway. (J: At the moment, I trust...) J: ...the occultist who was arrested more than you, Luciano. Erin: That's true, Joui. (Guaxi: I'm cleaning...) Guaxi: I'm cleaning his face with the blood and shards, do I gotta roll something?

I don't, right? GM: Roll a first aid test to see if you can recover a bit of his life. Guaxi: Okay. E: That's true, Joui, you're right. Guaxi: Damn, I've failed. GM: You just removed it, you didn't cure anything. Guaxi: Okay. E: Or Dante is fucking with us, or his memories has been (in English) vanished. D: No, I'm certain that the purpose was to rescue the child, but... A: Maybe his friend has tricked him. B: Yes, there's a chance he didn't know of that. (D: No, I mean...) D: Regardless of what happened I understand the

point of view of this guy, I don't know if you've heard of the tram dilemma; if a tram can take two paths, the one on the left kills fifty people you don't know and the one on the right kills people you love, I understand his thought of turning left. E: No one asked for your opinion about this, actually. A: We aren't judging anyone in here, Erin. (D: That's fine.) L: No, even if no one asked him at least he said something I believe in as well. J: This doesn't make the slightest sense, wouldn't Fernando die

as well? Why save the child? Or save Fernando, what difference would that be? L: You will never understand, Joui. J: I already understood. L: Fernando is the love of my life, I wouldn't let him die, while the child would already die. J: Tell me one thing, does Fernando know of that? Does Fernando know you would sacrifice a child about to die, or not, to save him? Would he be on board with that? L: He... he doesn't know of everything. J: Then he'll know of it soon. Luis: I point the gun at Joui. L: If he

ends up knowing you're the next one to die. A: Enough. J: Erin. E: Lu. K: I don't think so. Calango: I point my gun at him now. (J: Erin,) J: tell him to lower his gun. Rakin: Can I move closer to Luciano? No, actually I go closer to Luciano. I want to get closer to him. Calango: I have a gun pointed at Luciano. GM: Yeah, Kaiser has his gun pointed at Luciano, Luciano has a gun pointed at Joui. GM: You can get the guns. (Luba: Joui is holding the sword.) Rakin: I ignore the guns and

walk closer to Luciano. D: Sir, can I see the wound in your head? (Guaxi: I walk backwards,) Guaxi: I walk backward. L: Don't you get close to me. D: It's very hurtful, I don't know why you did that but... L: Don't come near me. D: Okay then. J: Erin, tell your friend for him to lower his gun. (L: The one who needs to know about it the most...) L: Is Mr. Veríssimo, (E: Look.) L: and he knows, and he understands why I've done this. J: Sure. L: Aren't we going to kill everyone? L: I don't

know what you have with this Elizabeth… (J: Are you stupid?!) J: We're going to kill people (L: I know that you....) J: who abuse the occultist power for their own benefit, which is exactly what you've done, you are not different from the people who are in those cells, not at all! L: How many innocent people have died in this process? How many innocent people die, Joui? J: As many as it's required, except it, that innocent one is your husband, am I right? It can't be him, can it? An innocent child must die in his place,

isn't that right? L: He would die anyway. J: So would Fernando. That's not an argument, you're an idiot. L: The thing is that Fernando had a long life ahead, why would I save the child? So he could have an unhappy life? J: You're not the one who decides that. L: But I did, I regret that, I told you, I regret it, if I could go back... I love Fe really much but I wouldn't have done it, but what I've done is already done. J: Then lower your gun. A: (So prove to us that you,) A:

prove to us that you’ve regretted, you’re just causing more conflict here. E: Can you stop with that? Luciano, Kaiser, please. K: I'll only lower it once he does it. E: Lower the gun. Luis: I start to lower my gun. E: Listen here, what happened is in the past, we need to do something to solve our problems... And not let more people, more innocent people die. B: I think we could have some answers (L: I agree with Erin,) B: ...on the orphanage and... (L: I just ask one thing.) L: Fe can't know of everything, L: this

is the only thing I ask you... E: Look, Joui... L: Maybe that could be... (E: It's been...) L: the final blow in our relationship and I don't know how it will be to live with him without his love. J: Well, that's between you and your husband, I don't give a damn. L: If you... (E: It has been...) L: agree not to tell him a thing, (E: It has been two years.) L: it's okay by me. E: Two years that I didn't tell him a thing, I think if there is someone to tell him about this,

E: It's Luciano. (GM: It's earlier this year,) GM: Erin, it was earlier this year, it's been a few months. (E: OK, alright.) E: Yeah, all this time I didn't say a thing, so if someone needs to tell him that someone is Luciano. That's his business after all. J: I agree and I don't care. I just don't want to see this dude in front of me. L: Sure by me then. L: Will you take the miscreant to his cell again? (J: It's none of your business.) L: Like hell that it's none of my business. (J: Go

treat that wound in your face.) J: Go treat that wound in your face. L: You think you're so damn important, you think you're so damn cool. J: No, I just wouldn't use a child as a sacrifice. A: What's the mission again, the one from the newspaper? K: We must go to the orphanage. A: Oh yeah, let's go, then? B: I think we must go quickly. Triz: Beatrice was seated up, (K: Luciano, why don't you…) Triz: she gets up and tells Joui. B: Joui, there is nothing to argue here, we have something more important to do

now, B: save Liz. (J: I know, Beatrice) J: I just can't take it anymore. K: Luciano, stay here and cool your head, (Luba: Master…) K: we're going. Kalera: I get closer to Luciano… (Luis: I want to...) Luis: ...I want to go straight to Mr. Veríssimo's office. GM: Okay, you guys see Luciano leaving with a sullen voice, he's walking steadily, he goes through all of you without looking at anyone and goes towards Mr. Veríssimo's office. In the meantime, you guys. D: Guys, (Guaxi: Way to kill the mood, huh.) D: I'm aware that your friend... (GM: Erin,

what did you want to do? Sorry,) GM: Erin, you can act. Kalera: I had my face down to the ground, haven't I? Kalera: Making a face. (GM: What did you want to say before?) Kalera: I was going to call him to Marcela's wing, but no, uhm. GM: He walked straight through you, you can try to stop him mid-way and talk if you'd like. Kalera: I'll let him pass. GM: Okay. Calango: I will... I'll leave too, but I'll go towards Agatha's wing, okay? GM: Okay. Rakin: I want to talk to Arthur. D: Arthur, I know your

friend doesn't exactly like me but that wound is very deep, he needs to treat that urgently. E: You can leave that to me, okay? (A: On his face?) Kalera: I walk through them, stop in front of Joui. E: Joui, try to bring everyone alive that I'll give you a small gift, got it? Kalera: Then I leave a little embarrassed and go towards Veríssimo's office along with Luciano. GM: Okay. A: Dante, I know that you want to help but... GM: I fucked everything, shit. A: I'm not sure if the rest trusts you enough to let you

fix a wound with you using your magic. D: No, I wasn't talking about any kind of magic, I'm a doctor. A: Oh, really? D: Yes. A: That's cool. I'm a musician. D: What a pleasure, I'd like to hear you playing a song one of these days. A: Seriously? Okay then, one day I'll play for you. (D: Absolutely.) All: [Laughs]. GM: In the meantime, upstairs. Calango: Who do you want to go to first? (Rakin: I'm not old enough for this.) GM: Let me just find what's bugged in here. Take this out, this too, alright, let's go.

You go, do you knock on the door? Calango: Me or... (GM: Luciano.) Kalera: I'm right behind him. (Luis: I…) Luis: I knock on the door, I knock on the door. (Kaiser: Luciano?) GM: Okay. You knock on the door and while you knock on it you see Kaiser walking behind you and entering Agatha's wing, while you wait. GM: A moment. GM/Luis: [Laughs] GM: It worked, thank you. GM: Kaiser, you get to Agatha's wing and she turns to you, she is... Just sorting some stones that are on the balcony, she turns around. Agatha: Sup, what do you

need? K: Sup, I just want to ask you one thing. Aga: Do you want to transcend? K: No, not today. Calango: Then I take off those bullets I found with the little drawings, that I forgot about. Aga: What's that? K: It's bullets. Take a look, they have a weird drawing, I need you to tell me. Aga: Gimme, gimme, gimme. GM: She props herself up on the counter to get them. She gets the bullets into her hands and [Metallic noises]. There are three bullets, right? Calango: Three. GM: She looks at one bullet. Aga: Huh, this right

here, this is a cursed bullet. It's a cursed bullet! K: And what does that mean? I'll shoot and the guy will melt? Aga: It means that it'll cause more damage, depending on what cursed it, but this is a pistol bullet, isn't it? K: And I just shoot? Aga: Which gun do you use, hairy one? K: I don't think I'll work out. Aga: What gun do you use? Calango: I have an M4 here on my neck, right? That I just grabbed to point at... Aga: If you want... I can try to convert it, for a price.

K: What's the price? Aga: What did the oldie tell me, what did the oldie tell me... For each bullet I can convert to another three bullets, it's a hundred. K: Okay, wait, each bullet converts to three bullets? (Aga: Each bullet can become three of yours,) costs a hundred. I can try to curse and move the curse as well as expand it, with the weak membrane here in the Occultism Wing. K: Okay. Calango: I put my hand in my pocket and put a hundred bucks at the table. Aga: Okay, that's just for three, right? (Calango: The

one Joui gave me.) Aga: Do you want me to use them all? That'd cost 300. Calango: Ah, three hundred. Aga: Or I could take the hundred, then you get three bullets. Calango: Okay, I'll give you the three hundred then. Aga: Thanks. GM: She puts it in her pocket. Aga: Okay, do you have your munition there? Calango: I do. Then I hand it to her. Aga: Gimme then, gimme then, nine. Calango: Okay, I hand her nine bullets. Aga: Gimme one little second. GM: She turns around, she goes to the transcending ritual, she goes running through it,

she goes towards a table at the back. You see her opening a book, she makes something you can't tell what is. She stops for a while then hears a noise [FLUFUFUSH]. And all the bullets start to shine a blinding red, suddenly the bullets that were shining start to move the red glow to all nine that was on the left and here and... You can't see but I'll describe anyway, those ornamental drawings with many waves that were in the bullets you gave her, vanish and start to appear in the bullets you gave. She takes the nine

bullets [PLINLIN] and comes running. Aga: Here it is, it worked so damn well, I always wanted to do this. K: And what do I gotta do now? Just shoot? (Aga: Use, kill.) K: Just shoot? Aga: Yeah, put it in the gun and shoot. It's cursed already. K: Okay, thanks. Calango: I grab the bullets and leave. Aga: See you, hairy one. GM: Meanwhile, Mr. Veríssimo, he opens the door. Mr. V: Uh. GM: He still has his face a bit focused as if someone got hurt severely recently. Mr. V: Luciano. What happened? (L: Mr. Veríssimo, ahn.) L:

Sorry for my words but I want to know what the fuck is going on, why is that prisoner free? Mr. V: You weren't, Fernando… Your friends didn't explain it to you, he's vital for an investigation, he knows the location of a place that is impossible to be recognized. L: Mr. Veríssimo, you know where he was. You know where he was captured. Mr. V: Luciano, you also know the mysterious circumstances. You know you betrayed my trust when you didn't arrest Leonardo Gomes and tried to do a deal with them. Kalera: Erin lowers her head. Mr. V:

The blame for that isn't only his, exclusively (L: You know why i did this.) Mr. V.: It's yours too. L: Alright then, sir. Mr. V: I believe the agents will take care of him, and they will take the needed actions. You should too. I trust my agents, and I hope I don’t regret it again. L: Yes, sir. Luis: I salute him. Mr. V: Go take care of this face. Luis: I turn around and leave. Kalera: Before this, I pull Lu to talk. Erin: You need to trust them. I know… I imagine what you’re going through,

but just try to chill, everything will be fine and he’ll go back to the cell, okay? L: Erin, sorry about the way I talked to you. It’s strange, suddenly I wake up bleeding, and pieces of glass in my face and Dante in front of me. E: Fer called you for help. That’s what Fer wanted, for you to help, bring some useful information. L: Fer, always thinking about everyone. Ah, okay, I’ll help. Kalera: I hug him. GM: When you hug him, Luciano, you start to calm down and feel like you’re leaving, you have one last action,

word or phrase. L: Sorry Erin. E: It’s okay, I’m here. GM: Your eyes [Fuu!] start to change its color again and you wake up as Fernando, hugging Erin. F: What a good hug Erin. E: Aaa! Liked it, right? I’ll hug you more after. Kalera: I’ll walk slowly. (F: But, so... What happened with Lu?) Like, did he help? E: He’s fine, let’s go to Marcela to take care of this head. GM: You see Fernando, Erin and Kaiser coming back. You prepare to… You’re already equipped with the equipment you have. Luis: Wait, before... Rakin: I don’t have

anything, right? GM: No. (Luis: ...going down there,) I wanna stop here in the between Joui and Beatrice and ask: F: Guys, Lu helped with something, is everything okay? Luba: Joui sees Fernando, in this case, approaching, he holds the sword, he didn’t know it’s Fernando yet. (GM: Okay.) E: Calm down, calm down. F: What’s this? (B: It’s okay,) it’s okay, it’s Fer. Luba: Like, I just held and pulled just a bit. GM: Okay. Triz: I’ll put my hand in front of the sword and say to Fer: B: It's fine, it’s fine, it’s fine, Lu did what

he could. F: Okay, did he? Because the vibe is a little strange. B: Yeah, yeah. Everything is fine, it’s fine. (F: But did he...) ... Did he say what this guy really is… Can we trust him or not? B: He didn’t say anything really different from you. Luba: Joui kind of ignores and looks at the documents at the table. B: Go… Go take care of your forehead okay… You did a lot of damage there. F: Ah… I came back, it doesn’t hurt anymore but I… It probably hurt a lot. It’s very swollen. GM: It still

hurts a bit. F: It hurts a lot, yes, it’s complicated here. I’ll go… Can you go with me, Erin? E: Of course I’ll go. F: Well, I don’t know if I’ll see you again, but guys, be careful, okay? Anything just call me, I’ll find a way and help you. B: Thanks, Fe. E: I wrote down everyone’s number, didn’t I? Wrote it? Right? B: You did. E: Okay, okay, okay. That’s it, if anything we’re here. Good luck to you and come back alive. [Surprise scream] A: I forgot something. Guaxi: Then he… Arthur runs and goes to

Agatha. (GM: Okay.) Okay, you go to Agatha’s wing and...? Luis: We go to the nursery. GM: Okay. A: Agatha! Aga: Hey Arthur, what? A: Do you have barbed wire? Aga: Of course, I do. GM: She pulls like this. (A: Yay.) Aga: Here it is. Let me see the exact price. Here, it’s just 10. GM: She pulls a pile, like this, of barbed wire. A little ball of barbed wire. (A: I take the wallet,) I look at my 13 reais, like this, and I: [Sigh] A: Okay. here. Guaxi: Then I hand the 10 reais. (Aga: Do

you need anything else?) Human organ, animal organ, blood... (A: Not today.) Aga: Do you want anything else? A: Not today, not today, it’s fine. Aga: Okay, Aga: it’s up to you. A: Bye-bye. Aga: How do you intend to tie this in your arm? Aga: It’s what you want to do, right? A: [Shush.] Don’t say out loud. With the mouth, huh. I’ll hold and spin the arm like this, oh. Aga: Be careful, don’t hurt your mouth. (A: Do you have a better idea?) Aga: Ah, you could… A: Ask someone, right? Aga: Yeah. A: But I don’t

know if someone will want it. Uh, I’ll find my way. Bye. Aga: Well, anyway, you don’t need… You can even roll using your own arm, it doesn't need to be tight, Just needs to be around it, your arm, I know what you’re trying to do. I mean, at least something like that. A: How to do it? Oh, got it! Okay, thanks. Aga: Take care, okay? A: Bye! You too, huh? Aga: Bye! A: And stay away from Jennifer. Guaxi: Then I leave. GM: Okay. You see Arthur leaving the ritual wing. Calango: I wanna pull Joui to

the corner. GM: You pull Joui to the corner. (K: Joui, here.) Luba: I’ll go. K: Yeah… About Luciano, I know what he did is really unforgivable, I agree with you. But about the new guy, try to take it a little easy with him. We don’t know what happened, the true story, you know? From what I see, what we’re carrying… Calango: Then I show him my M4. GM: Uhum. K: In someone else’s hands this is a lethal gun just like any other, you know? What matters is that we have guns and we know how to use

them for a good cause, at least. So, I don’t know, I- Just try to take it a little easy with him, I know it’s hard, but just try, please. J: I agree, it’s not that hard. Or he’s a very good liar, or he's a victim just like Beatrice. K: Yeah, I also felt that. Not that I was really looking at his face. J: Yeah, I know you’re like that. But there’s one thing that intrigues me, come here. Luba: So I pull him back to the table. J: Arthur, come here too. GM: You’re all together already.

Luba: I pull... Yeah, closer. GM: Oh, okay. I pull this paper here. Guaxi: So I’ll come this way. J: You didn’t show me this paper before. GM: Okay. J: Uh… K: What’s in it? J: About the mayor bragging about the fact that there wasn’t any homeless in that neighborhood where that apartment we went to is located. In my investigations, I ended up capturing a man that was part of a sect, who was called Sect of the Masks. I couldn’t find a lot of things about the sect itself, but I know they’re linked to kidnappings and

mostly with politicians involved. Arthur, you think we can go to the cells again? I wanna interrogate that man one more time. A: Now? J: Why not? A: Okay, I’ll go talk to Sr. Veríssimo. K: Do you think they could have any connection with Jeronimo? J: Who’s Jeronimo? K: Oh, the homeless that we found in that apartment. J: Jeremias? K: Yeah, this, whatever... J: I don’t know if it could be directly related to him, I’m thinking more… Thinking more about the mayor. Because if we’re dealing with such a big corruption system, we’re very, very screwed. A:

Ok, but if you want to talk to him let’s go because we’re stalling and I’m scared for Liz... GM: It’s like 5 in the afternoon. Guaxi: Wow, time flies. GM: A lot of time has passed. A: So, you wanna talk to him now? J: Yes. A: Fine. Okay, let’s go. K: Can I tag along? J: I want you to come. K: Okay. A: Anyone else wants to go? To the lil' trip? J: Do that intimidating thing just like you did with the guy in the elevator, it was so cool. K: Thanks, but I don’t know

if I can, I need to be in the mood. D: Can I go with you? A: Ihh… K: I don’t think so. Triz: My question is: Dante and I heard the conversation? GM: Yes. Luba: I told everyone. (Guaxi: We talked at the table, yeah.) Triz: Okay. B: I want to tag along. J: Dante, have you ever heard something about the Sect of the Masks or something like that? Rakin: Roll an intelligence, GM? GM: You can. Rakin: Nice, dude. I only failed today, let’s go, go, go, go. Got to be kidding me. GM: You’ve heard about

it because it’s something very famous in the underworld. You know that Leonardo Gomes had some, uh, sort of contact with them. But that’s all you know. D: Yes, I’ve heard about it, uh, they're famous among some occultists, but I don’t know much about them. Leo was the one that dealt with them. J: Arthur, do you think Mr. Verity would let everyone go to the cells? A: Not everyone, no. He already said it has to be a few people. K: It’s better for Dante to stay here, no? B: I can stay with him. J: But if

he heard I want to, I want to maybe... A: He listens and confirms. J: Guy, I’ll trust you, okay? D: Yes sir. I don’t have… I don’t know if they told you, I don’t know if you’re scared of me making any rituals, something, but every ritual needs some kind of component or something like that. I don’t have anything in my hands, so you can chill. J: Okay, we’re going to stay like that for now, until we can trust you more, okay? D: No problem. J: Okay. A: So let’s go there, quickly. K: No, if everyone

is going, so better for me to stay, no? Not many people can enter. D: Sorry, before I have a question for you. Do you know what time is it? GM: 4:30 p.m. K: 4:30 p.m. Luba: I look at my charged phone. J: 4:30 p.m. D: I have some fear of not finding the orphanage at night. K: Why? D: I don’t know, I need to see where I’m going, I don’t really remember where it is. I’m going simply based on my memory. K: But the city has a streetlights, the car has headlights. D: I just don’t

know the directions, but okay. Just… What if. K: Ah, no, okay. K: Anyways we want to leave now. J: It won’t take more than ten minutes. A: So let’s go. (J: Go Arthur, talk to Sr. Verissimo.) Guaxi: Okay, so I’m gonna go to Mr. Verity. (GM: Okay.) A: You want to do all of that, or we can go directly to the cell? (GM: Oh, no, for it will be brief...) GM: You talk to Sr. Verissimo, ask for permission, he says this one can’t leave and only three can talk to him, specifically. Guaxi: Okay. Yes, sir.

A: Let’s go. (J: I’ll take Kaiser and Dante.) A: Only three can go, you three want to go alone? J: I’ll take Kaiser and Dante. (Calango: Can I open the cell?) A: Okay, I’ll stay here. (GM: Yes.) Calango: Okay. Of course, I can, I did this thing. GM: So, who’s going? Guaxi: You three, Joui, Kaiser and Dante. (Luba: Joui, Kaiser and Dante.) GM: Okay. You can teleport directly. Guaxi: Meanwhile, Arthur goes pee. GM: Okay. Kalera: That’s what I was going to say. GM: You can go directly too. Luba: Wait, it’s Control X? I selected Joui.

GM: Okay, it's control... okay, but don’t right click. Luba: Ah, it worked, okay. GM: Okay. (Rakin: Wow I guessed where I was walking to,) in the darkness. GM: Let’s go. You turn the hall light on and it’s the 5, wait I’m missing the values here. Let me hide it and find the numbers, they’re a lot for me to manage. What’s on? Nine is on. Calango: I think it can be 19, the number. GM: Four, here. Ah, okay, okay. Six is on, seven is on, okay. Four and six. That’s it. Done, you turn on the right

light sector of the prison, which is the bottom left, And you reach the end of the hall. You know this man is, you, Joui, knows. You put him at the end of the hall at the left, the bottom hall. Luba: Okay, Joui is not there because I couldn’t paste him and I’m going to try again. GM: Where is he? Calango: I’m not seeing him in the room. Luba: I clicked Control X. GM: Okay, I’m gonna pull him again, let’s go. Rakin: How risky. GM: Relax. Luba: Yeah, so, I don’t… Man, I’m traumatized here. (Rakin: It’s

the biggest ritual of all.) GM: He stays here, at the end of this hall. Wait, just let me confirm it. It is him, himself. Calango: Go ahead, go ahead. Rakin: Me? (Luba: I’m here.) Calango: Yeah. Rakin: Okay. Jeez, I gave you a kick on the head. Luba: It's a cell, right? GM: Yeah, no, first is a door without vision to the outside. Luba: Zero vision? GM: Zero vision to the outside, yes. Then you have to press the button... And it’s going to open to the bars, it will be only the cell’s bars, yes. Calango: Let

me open, let me open it. I came here and put my fingerprint. GM: Okay. When you… Just let me make sure it’s really him, yes it is, I’m sure it’s him. Is it him? I’m scared of… It is him, fuck, let’s go, I trust that is him. (Guaxi: It’s him.) GM: You… Put the fingerprint, raise the vision door and you see a very pretty man, well dressed, with tidy hair, elegant. He doesn’t seem to be arrested for months. Looks like he just left a party. Luis: I’ve been on the RPG for a long time. No?

GM: He’s blonde and has a white vest. Rakin: Wow, is the hot one. GM: What a fuck, why… Oh, my God, how scary. Ah, okay. He has a smile... Quite charming on his face. He's sitting on the bed, he looks at you when you open the door. ???: Uh, hey... you. Can I help? Are you finally ready to let me go? You noticed you've made a huge mistake, haven't you? [Chuckles]. J: [Fake laughs] Are you ready to talk? ???: Talk about what? I'm innocent, I don't know what you're talking about. J: About the Sect of

Masks, do you have any connection to the mayor? ???: What? A sect of what? I'm sorry. J: Haha, the Sect of Masks. ???: Uh... ???: What do you think you're going to get here? J: Answers. ???: I'll give you answers if I get something in exchange. What are you willing to give me? J: What about you... not dying at the end of the day? ???: Dead or not, there's no return to what you've done, boy. J: What I did?! (???: To put me here...) ...It was a fatal mistake and you know it. They are coming...

(J: Explain to me why, then.) From the shadows, when you least expect it. (J: They...) GM: And he leans on the bars. ???: They will get you. Luba: I get really close to the bars as well and say: J: They can try. ???: [kiss sound] Kaiser: He won't say anything, Joui. J: Wait, what do you want in exchange? (???: Oh, nice to meet you, I'm Nathaniel.) K: Fuck off. (Nathaniel: I was put in here by your friend's mistake.) (Triz: [laughs]) K: Want to talk to him, Dante? Dante: No, I don't know what you want from

me. Rakin: I look at his face. (Nathaniel: I like these tattoos.) D: Thanks. Nathaniel: Have you already told them what they can do? D: I don't know which you're talking about. (Luba: Dude, I can't take this seriously.) GM: [laughs]. Luba: Here, I'm back, I'm back, sorry. GM: Keep going. D: I don't know which one you're talking about. Nathaniel: I see it on the palm of your hand. The one on the right. Don't try to hide now, it won't work. J: What is he talking about, Dante? (Calango: Now speak, I'm staring at his hand, man.) GM:

He's hiding his palm, I assume. Rakin: I am, exactly like my character is. K: What's in there, Dante? (Rakin: In his miniature.) D: So, each ritual needs a drawing, and as you know many occultists have tattoos and some... We don't really choose which one we'll learn, you know? J: That's pretty weird, Dante. What are you hiding? (D: I can tell you guys.) D: I can tell you if you'd like, if that will make you trust me. Nathaniel: You had offered me something, boy? J: Yeah, wait a little bit. You can tell me, please. Nathaniel: It's

not like I have many options. D: You want to know what this one does? Rakin: I show my palm, on my right hand. J: Yes. D: Well, uh... as an occultist you don't pick what you learn, I don't know if you've been told that, but the knowledge kinda comes to you, it's hard to understand why nor how, you just know, and ironically I'm a doctor, but this tattoo right here I call "Decadenza". If... I can let some monster or person ill and then accelerate the illness in them. It's not something I'm proud of. GM: Kaiser,

wasn't the cell behind you supposed to be closed? Calango: You're joking that it's open, dude. I look, is it open? GM: The door's a bit slit. Calango: Oph, dude... GM: And in the gap... there's an eye, with two pupils in it. It shakes, and you hear a dripping sound, and tears fall from this eye. Roll a Sanity check, please. (Calango: I look at the... I...) I failed. Rakin: Have I noticed his face changing, Master? GM: Uh... Roll a Finding check, please. Actually, Psychology, in this case. (Rakin: Me or him?) Nice, man. GM: You see that

eye staring at you, the eye with two pupils, yellow pupils, with deep red veins, it shakes (Rakin: Good Success.) GM: and stares at you. You can't take your eyes off it, it's terrifying until you eventually can break eye contact and it was a crack very, very, very tiny in this door that it's now empty. Calango: I run to the cell, push Joui a bit and look to the dude that's inside. What is he doing? GM: He was leaning on the bars, looking at all of you, he doesn't... He's like... ???: Woah, woah. Rakin: Looking at

him, what have I noticed, Master? GM: You noticed that he looked behind, stared at a closed door for some time and suddenly reacted this way. Rakin: With Psychology can I notice why he got like this...? GM: No, you just know that he got startled with a door. D: Are you okay? Sorry, I forgot your name. Calango: I turn around, I don't even answer and I want to look inside the cell, open the door, I don't know. GM: Alright, the door was completely closed, the gap that you were looking at was like a gap that... You

know when the door is closed, but there's a mini gap, but since it's a metal door it's a little bigger. (Calango: I see.) Uh, you press the button, open it, and the cell is completely empty, there's nothing inside it. Calango: Fine, I close the door. Nathaniel: Everything good in there? K: I'll meet you guys at the hall. J: Okay, Kaiser. Calango: I turn around and leave. J: Nathaniel. Nathaniel: Yes? J: What can you tell me? And what do you want in exchange? Nathaniel: My freedom, you know I'm innocent. J: I don't know if you're innocent.

I'm almost sure you're not. Nathaniel: Well. That's not what you have to say. Luba: [Sigh] I grab Liz's photo. J: Do you know this woman? Nathaniel: I know many women, sometimes yes, I can't... I'm not sure. Luba: I pocket the photo. J: What do you know about the Sect of Masks? GM: He gets closer to you. Nathaniel: That they'll kill you. [Chuckles]. J: Okay Dante, he won't answer anything at all. Luba: I close the cell and leave. (D: Can I ask him one question before going?) Sorry. J: You can, yes, yes. D: Do you know

this one who's called Leo Gomes? Nathaniel: Who doesn't, am I right? [Laughs]. D: But why would you know him? Nathaniel: Why would I answer you? D: I don't know, I just want to know, if you don't want to answer, it's fine. Leo was a friend of mine, we worked together. Nathaniel: I can tell you he was a friend of ours as well. D: Okay... So you guys... (Nathaniel: And...) I don't know what you think you're doing by joining their side, but you know that while you're with them you stand no chance. D: Alright. Thank you.

Joui, I think we can get going, looking at him, he won't tell anything worth listening to. (J: Definitely...) Let's get going. GM: When you press the button to close the door once more, the last thing he says as it's closing is: Nathaniel: Beware those who await in the shadows. GM: And [thud] the door closes. J: Those... Those who wait in the shadows? D: He clearly wants to intimidate us, I don't think any kind of information is useful, Joui. J: Maybe not, maybe yes. D: Why would he warn us of some danger if he wants us

to die? J: I agree, but... I think he said... I think he said more than he should have. J: I need to think but let's get out of here. GM: Alright, you then hear something make a noise and then go back to the hall. Take this one-off, take the four and go back to two. Rakin: Wait I'm lost, where's Dante? GM: You're back in the hall (Luba: I grab it.) and you're all together. (Rakin: How humble...) Rakin: Wait, I'm a bit stuck. Kalera: Are Erin and Fer already upstairs? GM: Everyone is. You're all where you

had to go. (Calango: Okay, I, I...) Calango: I arrived here. (GM: To be brief.) K: Let's go to Man&Freak. Calango: I go through here. K: Arthur. A: Hi. K: It happened, in the cell. A: Ah... Wait, what? I'm not following. K: I think it's better if we go talk to Ivete. A: Ah, the eye. K: Yeah. A: Are you sure? Do you want to worry her even more... than she already does? K: In any case, if she sees it too, what if we have to protect her... and we don't know? A: Ok, ok, let's talk

then, but we need to be quick, I’m getting nervous and anxious already. Calango: We go then. GM: You go to her. (Kalera: Did we hear that?) Calango: Gone. Luis: Master, can I ask you something? There are three cures, right? There's the... GM: Normal, yes, there is the light, moderate and full. Luis: Yeah, I want to do light with Marcela, right? GM: Right, you can pay and cure then. Luis: Alright, how much is it? (GM: You roll a d6.) Luis: It's a d6. Can you roll it for me? Kindly? GM: One. Guaxi: Should've done it yourself.

Luis: Holy shit, how much is it, again? GM: One. Oh, it's 100 reais. Luis: Fuck, do I have it? Calango: Damn. GM: If not, no healing. GM: You see Ivete (Luis: I don't.) and she's at the balcony. Ivete: Boys! Need something? K: Hi Ivete, let me ask you something, it might sound strange but Arthur... Calango: I look at him like... K: Arthur has... K: He's done a bet with Agatha and now... (GM: She takes Jeniffer and starts petting her.) K: So now she's doing something... She's scaring us, she did a... She said it's a harmless

ritual and said she did something that makes us start seeing things once in a while. Did you see any... strange things at home? Because she has to take it off. Iv: Strange things? No. (Guaxi: I poke him like this, like...) Guaxi: ...like "good job", right in front of her. Iv: No, boys, there's nothing strange, don't worry about me, I'm fine. A: You sure? Iv: What's it, Arthur? Everything is fine. A: Alright then, I believe you. K: Okay, if anything happens... you can tell us then we can talk to Agatha so she can settle it up.

Iv: Oh no, yeah yeah, it's all fine. You okay, boys? (K: Forgive me...) K: Mhm. Forgive me, I forgot to buy rice. Iv: Oh no... it's okay, it's okay, I can buy it when I go, don't worry. Take care in the mission, alright? A: Okay, bye. (K: Alright, see you.) Iv: Bye. (Calango: Now we go back.) K: What's up, lesgo? Get going? GM: [Meow] Jeniffer meows. K: Let's go? Let's go? Let's go? Beatrice: OK. J: We are ready here. GM: Okay, all of you then get ready and the team who's going out, tell me who's

going and who's staying. Calango: I'm going. Triz: Here. Luba: Here. GM: Fernando and Erin stay? (Guaxi: Arthur....) Luis: Yes, they stay. (Guaxi: Yeah.) Kalera: We can't go, right? (D: Bye.) [laughter] Guaxi: She's wrecked. (Luis: Can't even try.) Kalera: I'm all wrecked. GM: You then go towards the exit (Rakin: How sad.) and when you arrive near the door you see coming down from the stairs, someone in a wheelchair, they go down like this and there's support, right, that you hook on the chair and slides down, and you see them sliding and Arthur, you recognize the guy

as agent Paulo Machado, who is one of the oldest agents of the Order, he always has a smile on his face and is one of Mr. Veríssimo's most trustworthy friends. He spent his life in a wheelchair, (Calango: Just like Guaxi's dad.) but has crucial strategic and creative abilities that has saved countless agents in the Order's history. GM: He’s extremely charismatic and probably was called by Sr Verissimo to help with something he needs. He comes down with a smile, he passes by you. Paulo: Ah, good afternoon, you’re on a mission? Joui: Good afternoon sir, yes we

are. Calango: He looks like Guaxi's dad, sorry. GM: It's okay. Guaxi: Can I call him uncle Paulo? GM: Yes, or Paulinho, however you want. A: Hi uncle Paulo. Paulo: Hey Arthur, all good? A: Good! (Paulo: OK...) I won't disrupt yout mission, I need to talk to Mr. Veríssimo. Just take care of eachother, okay? A: Okay. Paulo: Nothing is matters most... than each of your lives. A: Ah uncle Paulo. GM: And he goes passing by you, with a smile on his face. Everyone add 3 of sanity. (Guaxi: Literally through us.) Calango: Add? GM: Yes, you won

3 points of sanity. Guaxi: He’s an angel man. Calango: The eye took sanity? GM: No. Luis: Erin and Fernando too? GM: Yes, I’ll allow it. Luba: If it's at max, I don't add 3, then? GM: Add 3 to the maximum. Only Dante can’t, because he’s at his cap. He passes by (Luba: There's a sanity cap?) and goes to Mr. Verissimo's office to assist him. And then you go to the van, to go to the mission. Kalera: That’s so beautiful, fuck. GM: You get to the car, I need to know who’s going to drive. You can

go to the van. K: Who’s driving? A: I drive K: Sure? A: Of course not. K: I know you can, it’s just not… (Luis: It’s Control X, Rakin.) Guaxi: Control X, Control V. K: Arthur, if you want, I can shift gears for you. Rakin: Geez Beatrice stuck. (Triz: Ops, it's locked.) GM: Okay, you all get in the van and prepare yourself. Calango: Arthur’s drives but I switch gears. GM: Okay. I’ll ask Arthur to... Triz: Oops, there’s two of me. Guaxi: Yes? Triz: Can't paste Orpheu, it didn’t work. GM: Dante guides you then, to the environment

of… To where he remembers the orphanage, he doesn’t know the address by memory, but when he lived there, he'd go back and forth from the city countless times, so he can remember from a certain point. During the trip, I will ask you, Arthur roll a drive, drive automobiles, please. Guaxi: Drive automobiles. Calango: While he drives, I look back: K: Joui? Calango: Joui looks and I take a picture. GM: Failed? Guaxi: Failed, mhm. GM: Roll a luck. Calango: Can I roll too? GM: No. You can't drive too. (Calango: Ah, man...) ...I’m switching gears for him. (Guaxi:

Fuck.) GM: Okay. The car breaks down in the middle of the road, it breaks down. (Guaxi: Holy shit.) GM: And you need to spend 2 to 3 hours fixing the car. That makes you get to... (Calango: Shit.) Rakin: Can we call an Uber? GM: A road, which Dante recognizes. An alternative road, of dirt, that leads to the orphanage. It’s around nine and a half pm. (Guaxi: Let’s go.) Dante: Guys, it’s around here. K: Took way too long. (GM: The orphanage...) ...is in a zone outside of São Paulo, the countryside, it’s an isolated environment. Calango: For

context, I took a pic of Joui, he’s putting the bow on his neck while I took the photo. That’s it. (GM: Okay.) Dante is in the back. GM: Okay. When you go into this dirt road and start going towards it… I’m gonna ask everyone to roll Finding. Those in the car. Rakin: This one we’re good. Guaxi: Fail after fail. (Triz: Extreme.) Calango: Also failed. Rakin: Failed. Luba: Failed. GM: Beatrice, you notice that when you approach the orphanage you start to remember a little about this area and notice that, besides this straight path to the orphanage

that you’re going to, you can take an alternative route over a hill. From where you can see the orphanage from further above and with more safety. Triz: Okay. I'll notify them about that. B: Guys I remember a bit about how things are around here, and there's another route where we can view of the orphanage from above. I think it's good if we follow it, so we can understand better what's gonna happen. J: Okay. A: If you say so, we're just gonna follow your call. B: It's here on the right. D: I didn’t remember that, sorry

guys. A: Old van. [Sap noise] Guaxi: I slapped it, because it broke. (GM: You-) -start to go up the hill and there's no pole, no light, it's a dirt road, very small, in the woods. Eventually, you find an area more open, and you can see in the distance with some difficulty, in the middle of the gloom, a large two-storey building. You also see going up in that dirt road, which was right behind you, what looked like a lorry. It's headlights on, being the only source of light that you see. The lorry stops and lights up

this big two-storey building. With a completely dirty and abandoned, even burnt and brown. But not completely decayed. The lorry's back door opens and out of it comes what we’re going to find out after the break. So we'll be right back in 5 minutes! We'll have a 5-minutes break. We'll leave Luis and Kalera here because they didn't go on the mission. Thank you for the amazing participation. And soon... (Calango: Bye Luis and bye Kalera.) Luis: Great session guys, til next week. (Kalera: Bye guys, great RPG.) GM: I'll see you in 5 minutes when we get back

to the orphanage. Let's go! Rakin: Nice, dude. (Luba: Man&Freak.) GM: All right, all right, we"re back. Let's get back. Hello, hello, is everyone here?. Calango: Damn, so I have… Hey? GM: Hey? Is everyone here? Guaxi: Ah, yes! I forgot to tell them... (Triz: I am.) GM: What, what happened? Guaxi: What you said, the thing for them to press that button. Luba: B. Rakin: Flip? Guaxi: You clicked on B? (Rakin: I’m kidding, don’t click B no.) GM: No, it’s fine. No need to do it anymore, is all good. Right, where we stopped before the break, you'd

just arrived at the hill, next to the orphanage, which gives the view to the orphanage. But now, it's very dark. It's nine and a half pm, and you can see the starry sky. And you see, arriving in the orphanage, a lorry. The only thing visible is the truck's headlights. There are no other light sources. The headlights illuminate the badly damaged entrance to the orphanage. I'll ask everyone to roll a finding for me. Luba: Master, does Joui recognizes these lorry as the ones he was investigating? Calango: My finding is broken. GM: They are similar to the

lorries- (Triz: Regular.) -in that parking lot, yes. Who succeeded? Luba: Okay. Triz: Me. Luba: Me, good. Rakin: Three, I got good. GM: What kind of success? Good? Triz: Regular. GM: Okay. Let's go. Does anyone have binoculars? Triz: No. GM: Okay, let's go. From a far, what you can see, leaving from the inside of the lorry, are countless tattooed men. With texts all over their bodies, on the neck, some getting to the face. All of them are heavily armed, with rifles, pistols, and they wear simple clothes. They're all barefoot. They're a lot. When the lorry arrives,

you see at the entrance there are at least 5, and several more come out. Is a little army. From the lorry, comes out a lot more of those. They go into the orphanage, and the truck still seems on. There are far too many of them. Too many people for you to even have a chance to invade this place. By head, counting with your good finding, there's at least 40. D: What are these men doing in the orphanage? I don't get it. J: They're occultists. K: Ah. D: So, there are some men there, guys, I don’t

know if you can see, but- GM: Lastly, leaving the lorry, Joui and Dante, you see something that draws your attention. Bigger than anyone in this place, you see a enormous person, red, with what looks like 4 arms, naked, with the body full of texts. Right after her, coming out of the lorry by her side, a similar creature. Only smaller and gray. But you can see it from afar. Her mouth is wide, much wider than any human being would be able to open. And these two creatures are chained. And the chain follows into the lorry. You

can see, walking slowly outside, carrying those things, a man with a blindfold and long black hair. He wears a kind of black visor and he goes into the orphanage. Rakin: Do I recognize this man, Master? GM: You can... You've never seen this man, no. From this distance... It's what you managed to see from this distance, You can't see his face clearly, he's with a blindfold. Calango: Who failed the Finding test sees all of that too? GM: No, you only see a bunch of people entering the orphanage. Only Joui and Dante saw exactly what I just

said. Calango: But I saw that there are many people, right? GM: There are many people, you can’t get in right now. A: Well, for a place that was closed there's quite a crew, huh. D: Guys, in case you want to get inside, I think we should wait for them to leave. K: But are they even going to leave? Won't they just stay? J: We can only know if we wait. (D: I don't know.) A: If we wait, don't you think it could be too late for agent Elizabeth? D: I don't know... How long this person

has been missing but... (Beatrice: Later.) We can't help her if we're dead. B: And later too it seems that there'll be another shipment... For what we read on the messages we found at the flat, it seems at dawn there'll be another one. J: Gosh, I don't know what to do, I don't know what to do. A: Whatever you decide, I'm on board too. K: Does the orphanage have any other kind of entrance? I don't know, a back door, something like that. Although, if we do get in... there’s a lot of people. J: I think I'll

try to get a little closer to search the place and I'll return to report it to you, is that okay? K: Alright. A: Be careful, huh. (A: Please.) B: Joui, I think I can help you, do you mind if I come along? J: Just be careful. D: I don't think it's good for you to go, it doesn't seem safe. And if two go it could be worse, just one person would be fine, I think Joui who seems prepared enough for that is enough. B: I'm also well prepared, Dante, which is why I'm here. Otherwise, I

wouldn't have been called. (D: For sure, I didn't mean to belittle you.) GM: You can see a lot of movement... coming from the front of the orphanage... It seems people are coming and going... And the truck is still on with the headlight on... It's the only light source, it's the only way you can see anything... The orphanage is engulfed in darkness. Triz: Fuck. J: Give me a couple of minutes, I'll try to get closer and will be back soon. K: Alright, be careful, Joui. GM: Okay. Joui, you have to... Go with a flashlight, you can't

see without the flashlight. Calango: Fucking hell. (J: Okay.) Luba: I don't want to get too close, okay? (GM: What do you want to do?) GM: Fine, you're all at a distance of 200 meters from the orphanage, so-so. Luba: I want to walk 100 meters, to start. (GM: Okay.) GM: It's downhill, you're at the top of a cliff. Luba: I walk between the trees, masking myself. GM: Okay, roll a Stealth for me, please. Luba: Okay, for the love of God, it's coming. I got a two. (Calango: Ouch.) GM: You walk through the forest, the quietest you

believe you can... You go, it's a deep way, there's no straight path towards the orphanage from where you're coming... And you get 100 meters closer, and I want you to roll me Finding, please. Luba: Woah, my heart. Damn, I failed. GM: You just know there are many people right now... And you know that if you move any further you'll for sure get caught. Luba: Okay I go back. I return to the van. GM: Okay, you manage to return safely, or so you believe. K: How's it, Joui? GM: You see Joui returning after twenty minutes, so-so.

J: Kaiser, the thing's not very... (Triz: Meanwhile...) (Luba: Ah, sorry.) Triz: No, it's fine. Meanwhile, can I try chatting with Arthur like whispering? GM: Yes, you can... Calango: Ah I'll hear, inside the van, resonance. Triz: No, it's just a whisper, I'm beside his ear. Calango: Okay. B: Arthur, how... What did you get after transcending? A: This medallion, here. Guaxi: Then I show her the medallion. B: No, but you got power, something? A: I don't know, I just know what to do, I don't know what it does. B: Damn. A: Do you know what it does?

B: I don't. Calango: I want to try to hear this conversation. (GM: Roll a...) That's fine. Roll a Listening for me. Calango: [Laughs]. I think I became deaf. GM: For a moment, you're completely distracted at this moment, you have no idea what they're talking about. Calango: Alright. B: Do you think... (A: Do you think we...) B: ...should use that? (A: You can speak first.) A: I think depending on what we face we might have to use it. Are you ready to use it? (A: In case it's needed.) B: I think there's no way for anyone

to be ready for it but if it's needed... A: Yeah, me too. Guaxi: I'm shivering a little bit, I don't know if she notices, I'm a bit anxious. Triz: Can I try to notice it or do I just notice? (GM: Psychology, Psychology.) Triz: Okay. I have one Psychology point, nah, I've failed. GM: No, you don't notice it. Triz: Alright. GM: You have one Psychology point? Triz: Yeah. GM: You're quite bad at reading people. Triz: Aren't I? One question, Master I... Oh no, I'm not saying that in front of everyone, never mind. GM: Okay. (Calango: Okay

then.) K: So, Arthur, have you found anything? (Luba: I want to roll a Finding on Triz.) GM: You can text me through Whatsapp (Triz: Fine.) if you want to say something secret. GM: Okay, Joui returns. Guaxi: Okay. Luba: Okay. K: So, Joui, found anything? J: Thing's not looking pretty, Kaiser. I think the smartest... (K: Is it packed?) J: It's quite packed. I think the safest is for us to wait a little more... Despite me hating this. A: It's alright, Joui. Sit here. J: Okay. Luba: Then I sit. J: I think someone should stay watching. K:

Alright then, do you want to take turns? J: We'll take turns. GM: You then... (J: If you want I can be the first one.) GM: Okay, what will be your turn, then? Who's going to stay in what place? Calango: During the watch? GM: Yeah, how many hours will each stay watching, how will it work? Calango: Damn. J: I think we have to, at least, wait for three hours until it's midnight. Luba: Wait, it's currently nine o'clock right? As you said. GM: Now it's like... nearly ten o'clock. Calango: Actually, like, we have to wait until the

movements stop, no? Can't we "predict" exactly how many hours we need to wait or something? GM: Yes, but then I want to know how it will be, who'll be watching for how many hours... Kaiser stays on the watch for one hour, then Joui the next, how will that work out? J: I think we could take turns every half hour. (K: Do you wanna..) K: Okay, that sounds alright. GM: Okay, who's watching? (J: Okay.) J: I go first. Calango: Joui first. GM: Then Kaiser, and it goes back and forth between you two? Calango: Yeah, I think

that can be it. GM: Alright. You two then stay watching the truck still on, lighting countless people who are coming and going. Half an hour goes by... The clock hits eleven o'clock yet nothing happens, it hits midnight and you stay more alert... Waiting for a new truck to arrive, nothing arrives. About one in the morning you start to hear more noises coming from inside the orphanage... Some of them sound like gunshots, some like screams... And for the first time, a light source other than the truck seems to come from the second floor. Some time goes

by and you keep taking turns and finally at four in the morning... About a quarter past four... You can see a bunch of these men leaving the orphanage... And returning to the truck, including the long-haired man. At a quarter to four o'clock, taking turns, by luck, it's Kaiser who's watching. K: Guys, guys. Calango: I call everyone like this. K: I think they're leaving. (J: What happened?) K: Look. J: I think it's safe for us to go closer, no? (Calango: I…) Calango: I can see a man I haven't seen before? GM: Now you can, you're more

alert, you can see... You can't see specifically a man but you see these things, the big one with four arms And another creature in front of it, (Calango: But I…) you can’t see clearly because of the distance, but you see all of them. Many Escribles enter the truck and basically, your surroundings are practically empty when compared to it before. K: Look at that man, he's leaving with all that stuff too. J: What's that thing on his back? K: I don't know, I can't see a thing, it's too dark. I... J: At least they're leaving. K:

Yeah, I think it's safer for us to get closer now, there are fewer people around, are you ready? J: Yes. B: Yes. K: Okay, let's go then. (J: Okay let's go.) Calango: I finished the cigarette I was smoking, I'll remove it in here, that I forgot that I had lit up. GM: Okay, okay. Guaxi: Why didn't you say it before? Calango: I'll throw out the lit cigarette. Because you'd steal it, dude. GM/Guaxi: [Laughs] Guaxi: But I'd see it, duh. Rakin: Did he have the cigarette inside the car? While lit? GM: It's up to you, you

decide that. (Guaxi: Woop.) Calango: I had the cigarette in the car. (Rakin: No, just wanted to know.) Rakin: When he lit it I put my head out of the window, (Luba: Weren't you on watch?) very visibly out. Calango: The window was open but sure. Rakin: Yeah, I put it just, like, uh... I don't like it. J: You end up get ting used. (A: You don't like it?) D: It's fine. A: Yeah, he smokes a lot. Let's go, then? J: He's like a chimney. B: Stealth, guys? J: Yes, we'll go... Guaxi: Does everyone roll a Stealth

test? GM: No, I'm... You didn't say anything. (Luba: No, we...) K: Let's go... Calango: Yeah, then... Guaxi: Ah okay, it's just that you spoke suddenly. (Luba: Calango, roll Stealth for me.) GM: I'm waiting for you to tell me what you're doing. K: Let's get going, guys. (B: Let's go hiding, let's go hiding, walking through the bushes.) Calango: I'll grab my M4 with a flashlight in my hands, I don't know which number it is, I think it's this one, leggo. Guaxi: Yeah, I'll take the little guitar. Luba: Joui is ready as well, his bow ready, and...

(GM: Okay, wait a bit, Kaiser, let me do this instead.) Triz: Beatrice too. Luba: Flashlight in the bow. (Calango: What did you do?) GM: You then leave du ring the night, I think this one is ni ne, I hope I'm right, yeah, you leave during the night. (Triz: I don't know what happened.) Triz: Oh okay. GM: All of you with flashlights on. Rakin: I don't have a flashlight, I think. (Triz: How do I turn the flashlight on?) GM: Do you want to go without a flashlight, Dante? You can go without a flashlight. Rakin: No, it's

just that I don't have one. (A: Dante, stay with me.) Rakin: I just don't have one, because you know, no equipment. GM: Okay. A: Stay close to me, I'll light it up for you. D: Alright. Luba: I hear that and I am jealous. (D: Thank you, Arthur.) Rakin: How do I turn the flashlight off, the lit one? GM: I'll turn it off, alright. Rakin: Thank you, sir. Triz: I want to go with my crossbow in my hands too. GM: Okay, you can go with the crossbow in your hands. You get closer, I'll ask now for

all of you to roll Stealth for me. Calango: We're fucked. (Rakin: Uh-uh.) Guaxi: Let's go fail once more, huh, let's beat the record. (Rakin: Oh, we're so fucked.) Luba: Regular. Guaxi: Extreme success. (Triz: Extreme, extreme as well.) (Calango: Damn, regular, regular.) GM: Dante? Rakin: Wow, I can't even find it with how bad I am at that. GM: You can search in the expertise bar there. Calango: The dude will get a fumble and walk in like: "Wassup guys, we're here!” Luba/Guaxi: [Laughs] GM: How many extremes did you get? Please confirm it for me. Guaxi: Two, I

believe... GM: Two extremes, okay. (Calango: Two extremes.) C alango: I got regular. GM: Then it is... Rakin: I failed. GM: And Joui? Luba: Regular as well. GM : Okay. Then you have eight points, alright, just for me to write it down. You see the truck, the one that had headlights on, walking backward and taking dozens of people away. ìt was a huge truck. And you see the entrance to the orphanage, with steps towards it. Beatrice and Dante, you recognize the entrance. You can't see inside yet. D: Guys, are we at the door already? B: Yes,

it's here. D: I know you don't have much trust in me but, I don't really know what they were doing in there, and I want to do something to know if we might get in some kind of danger just from entering the place. B: Do what exactly, Dante? D: I can see the paranormal. J: What? K: Huh? A: Do it! B: And what do you need for that? D: Just a cellphone. A: Here. Guaxi: I grab my phone and hand it to him. J: Wait, wait, you see the paranormal? (Rakin: Okay) D: Yes. K: Those

ghost-seeing applications are false. D: It's not exactly ghosts... (A: Do not send any text, please.) D: It's more like objects, what if someone put something that might be harmful to us around here. K: Okay, okay, I believe in you, do whatever you know. GM: Roll me a Paranormal Exposure for me, please. Rakin: Me? GM: Yes, if you want to do the test, the ritual. Rakin: How do I do it again, just roll Sanity? (GM: Yes, Sanity, Sanity.) Rakin: Okay, I want to do the ritual. GM: You can describe it then. Rakin: I failed. GM: Okay,

you failed? Rakin: I did. GM: Just confirm to me what's the sanity die you roll when failing. Rakin: It's 1d4, it barely costs a thing. GM: Okay, no, you failed, but you completed the ritual. You can describe it. Rakin: Ah, you're right. GM: You lost one sanity point. Rakin: Then. Awesome. I put my hand on a necklace I have on my neck, the other on the phone. Rakin: Then, this symbol I have in my forehead starts to glow very bright, with the yellow color. Then I open my eyes and they are glowing very bright in

yellow, while I look like this to the orphanage. Calango: Dope. GM: Dante. You recognize that something paranormal exists inside this orphanage but you don’t know where. But for sure there are paranormal entities inside. Rakin: Several? GM: Several. Especially on the right side of the orphanage, you feel a lot coming from there. Rakin: Got it. I am a Ghost Hunter, bro. [Laughs] Okay. [Laughs] Sorry. D: Guys hm… [Laughs] Rakin: Okay. Dante: Guys, hm, there’s a lot of paranormal energy here. Especially on the right side of the orphanage. Yeah… K: Wow, thanks Sherlock Holmes. D: But... GM:

You feel that your ritual, detecting entities, GM: Works in a way that you seek the paranormal unconsciously. You feel that in the entrance there’s nothing unconscious. A Bloody Zombie, for example, it’s unconscious, you would detect it if there was one there, for example. Rakin: Got it. D: But here in the front, but there's not any kind of danger for us. We can go in safely, but I advise we stay away from the right side. At least for now. K: Okay. J: Okay. Luba: I look at [throat clearing noise] Beatrice. J: Careful with the doors there,

okay, before opening it. B: Got it. (K: Yeah.) GM: The door is open, a big door, like this. (K: yeah, be careful with the door.) Calango: I look back. (A: My phone...) K: Be careful with the doors, yeah. B: I’ll remember this. (A: My phone. Dante.) K: The door is not cool. Calango: I walk away. Wow. Rakin: I’ll give the phone back to… Arthur gave it to me, right? GM: That’s it. Rakin: I have his phone back. (A: Thanks.) GM: So you can… I’ll bring one of you here. You can place. You’re going to the

orphanage, right? Luba: Right. (Triz: Aham.) GM: I’m gonna ask everyone to roll a Listen while you go in. Calango: This time I’m in front bro. Listen? GM: Yes. Luba: Fail. Guaxi: Wow, my D5 is fucked huh? Calango: Hahaha, 2. Guaxi: I got 3, look, twins. Triz: 1. Ouch, my ear. [Piiiii] (Guaxi: 1, 2, 3, oh.) Calango: Man, I only got 2 and 3 in listening and finding. (Rakin: 15, failed.) GM: No one? Everyone failed? Luba: If you want I can roll again. (Triz: Yes.) GM: No, okay, that’s it. You go to the orphanage... (Triz: Orpheu,

Orpheu didn’t roll.) GM: Everyone place yourselves with Kaiser here, the door is in this big entrance. Guaxi: Wait, it’s dark here. (Rakin: They’re lighting me up here, bro.) Calango: I don’t see anything. GM: That’s it. Luba: So, fuck, that’s scary bro. GM: You start to enter and you see in this entrance some abandoned furniture, some sofas, tables... All very old and the environment is colder inside the orphanage, when you go in. You can notice a light mist in the air, compared to outside. Triz: Hum. Calango: It’s cold, right? J: Let’s start checking the left side,

first. (GM: It’s cold.) GM: Remember it’s the E and Q, don’t use the scroll. Luba: Yep, Sir. K: So we agree not to go to the right side, right? J: At least for now. K: Okay. Luba: Joui goes ahead. GM: You explore this left area and you see a room. Oops, wait. Wait, take it easy. Luba: Ops. Sorry. GM: You need to explore slowly. You check this left area here and you only see a sofa, a table and nothing interesting. But as you approach, you hear, it’s inevitable to listen to.. Two men talking. Calango: Shit.

GM: In the direction, this flashlight is pointing to. J: [Whispering] Turn off the flashlight. Luba: I tell everyone. Guaxi: Who has a flashlight? Ah, I have. (Triz: I have it too.) GM: Just click 1, who wants to turn off the flashlight. A: [Whisper ing] Everyone? Everyone? Everyone? K: [Whispering] We won’t see anything. J: [Shhh.] Luba: Yeah... Calango: I won’t turn off the flashlight. GM: Do you not turn off the flashlight? Okay. You don’t turn off the flashlight and you point it in the direction that is happening? Calango: I aim. [Guaxi and Calango laugh.] GM: You

point and you see... (Guaxi: That’s an asshole.) two hooded men. They have text tattoos and they, both, seem to have a pistol. GM: Actually it's a man and a woman. But in front of them, what most draws your attention it's something bizarre. What looks like a person half dead, very skinny, completely naked. It groans [moans]. Its body is full of text tattoos, its skin is rough and grayish. And it looks like these two hooded guys, this dude and this girl, they're playing with this creature. They're pushing it, laughing. But the moment you look at them,

something seems to happen. The creature that was quiet, only moaning, started to moan louder [aaaa oratam aoratam] [aaaa oratam aoratam] They look and the man says: ???: What? Don't you think this shit is strange? GM: And he pushes the creature. The woman answers: ???: What? Shut up, since when an Existed does anything, they only keep repeating their name. GM: The man looks back like this, kind of confused. ???: Yes, but it is more hectic. They never do anything. Wait, are you feeling this? Are you feeling… What feeling is this? GM: The woman looks back. ???:

Yeah, I am. What's happening? Is that why they are acting like this? What… Are they feeling this too? What's going on? GM: They push the creature [plaf], it goes forward with its head up, looking up [Aoratam]. And they start to walk to the left. Calango: They didn't see me, right? GM: No. [Calango sighs with relief] (Guaxi: Wow...) GM: Strangely, because the flashlight was pointed at them. J: Kaiser. Calango: I was the one who saw that? GM: Uh… Probably… No, everyone that was looking, y'all saw. [Whispers] J: Kaiser, how didn't they see you? [Whispers] K: I

don't know... D: Guys, eh… I think… (J: Wait for them to…) D: ...they are blind. J: But… Hm. K: Are you sure? D: Well, if there's a beam of light aimed at my face, I... I'd notice it in this pitch. Surely they must have some kind of... visual problem. K: Yeah, makes sense. Okay, but you saw what happened there, right? B: Yes. J: Yes. K: So, let's go... (J: It was so strange.) K: Let's continue carefully. J: OK. Do you want to follow them? K: Yeah, anyway, I trust Dante and I'd rather avoid the right

side. So, it's a good idea to go where they're going. J: Okay... Guaxi: Someone points a flashlight, I lost Arthur. (Calango: They're still here!) GM: They're still walking, they're walking. They're going in this direction. [Laughs] Triz: Damn! GM: Roll Stealth for me please, Kaiser. (Rakin: Complicated.) Guaxi: Fire a shot! Calango: Okay. I'll, I'll… Is there a table in here? I can't see anything, dude. GM: There's a table, you can… What do you mean? You... You're seeing what your flashlight is pointing, right? Calango: Right, but I can't discern what is this here for example. GM: That's

a table and a chair. Calango: Okay, it’s just what if… Okay, okay. Calango: It's I can't see the other side. (Guaxi: But it's really dark, yeah.) GM: But it's supposed to be dark. (Guaxi: Yeah.) Calango: So I'll go to this table. (GM: Because there's shadow projected.) GM: That’s a wall, you go ahead and you see a pad with some bushes, some plants. These guys, they went into this corridor, here on the left. Calango: There's a pad? I'll take the pad. GM: No, no, there isn't a pad. It’s a... It’s like a stand with some plants.

Calango: Ah, OK. I thought it was a notepad. (GM: That's not a table, it's just plants..) Calango: Okay, I'll do a 360 here. GM: You look on your right and you see a door. You can get closer. GM: A closed door. (Calango: Ah, cool.) Calango: Okay. I'll check a bit more here. Calango: It's just a table, nothing else, right? (GM: Yes.) Calango: OK. J: Let's follow those guys. K: Okay, from what I saw here, it doesn't seem to have anything in this lobby. Let's... let's move ahead. GM: To enter, (Calango: Do you know this orphanage?)

GM: you look ahead pointing the flashlight, you see two entrances to what can be an outside area inside the orphanage. Calango: OK, uh… K: Beatrice and Dante… (GM: These guys keep going to the left.) K: …Do you know this orphanage, where we're going? Triz: Yeah… That’s what I was about to ask, what information do I have, is there a way to guide me? GM: You can roll a Intelligence test to see what you remember exactly. Rakin: I'll do the same, then. [GM and Rakin laugh] GM: You don't remember much, GM: the orphanage is destroyed. (Calango:

Aw man.) GM: You only know that in front of you there's an outside area, and on the left there are a lot of rooms and bedrooms. But you don't remember exactly, you haven't been here in years. And the fact the orphanage is destroyed and it's so different from what you remember. Luba: Master, who was watching (Triz: Ah.) Luba: when the beam of light happened on the fourth floor? GM: Kaiser. On the second floor, there're only two floors. Luba: Ah, sorry. Calango: But that beam of light went on, it went on, didn't it? Calango: Was it

on or off afterward? GM: It's on for some time GM: but then stopped. Calango: It stayed but Joui didn't see, then, Calango: 'cuz he left. (GM: No.) GM: When it was lit, a loud noise was heard. (Calango: Okay.) Calango: Everyone? GM: Just you. Calango: OK, nice. Triz: OK, I'll say: B: Kaiser, to the left, we have the bedrooms and some rooms and to the right, there's an outside area. I can't tell exactly, because the orphanage is really destroyed, very different from the last time I came here. But I think this can help. K: Okay. Let's

keep going, then. GM: Which way do you go? Triz: To the rooms, maybe? GM: Do you go into the hall on the left? Calango: Those guys went to the outside area? (GM: You see them go...) GM: you see these two hooded people and this guy, this creature. They're walking down this hall. GM: Talking about something you can't hear. (Luba: Let's keep going.) GM: Are you going to follow them? J: Guys, let's follow them or not? K: I don't fucking know. GM: You can point the flashlight to each other when you talk, to see the miniatures.

B: We need to explore, I think a bit of everything. Regardless of what side we start from. J: Okay. Let's start with them, then. Luba: And Joui goes slowly behind them. Calango: Okay, I'll go too, then. GM: You follow them through this hall (Triz: Me too.) and I need you to… This hall allows two people side by side. you just can go two in two. They're taking this creature in the front and the two of them are going, each one on the side, behind. They're walking, talking, they don't seem alerted, but I need you to

roll Stealth. At least who's going right behind them. Calango: Okay, who will lead the way? Luba: Me and Kaiser, right? Calango: I don't know, Bea wants to lead the way? Triz: I was going along too, so it's whatever for me. Whatever you say, Kaiser. Calango: I want to lead this time, I'm never in the front, otherwise Cellbit will complain that I’m not changing it up. [everyone laughs] Rakin: You're gonna step on a trap. Calango: What do I need to roll? GM: Stealth. Luba: Stealth. J: Beatrice. B: Joui. J: Load the crossbow and leave it... (Calango:

Wow, extreme!) GM: You got extreme? OK, then. (Calango: I got a twenty.) Triz: I'm theoretically carrying it, it's just that I couldn't put it in my character's hand but I said I had it. GM: OK, you're carrying it? Triz: Yeah. (GM: 4.) J: Leave it ready, I'll bend down. J: Stay behind me. (Triz: I'm loading it.) Triz: putting on a bolt. GM: Okay, you have one bolt on the crossbow. So, Joui and Beatrice lead the way? GM: No, Kaiser and Beatrice go ahead. (Calango: Me, Joui and I.) GM: Kaiser and Joui, OK. Kaiser and Joui

lead the way followed by who? Triz: Me. GM: Beatrice and? (Luba: Beatrice stays right behind me.) Rakin: And me. Guaxi: I'll be in the back here with the flashlight. GM: Okay, you're walking... This trio goes ahead until... You can keep going forward. ...until they reach a door. And from that door, GM: you can hear music coming from inside. (Calango: Move every…) Calango: Move everyone at once, Lub… Someone? Luba: Yeah, Cellbit, move us. GM: No, no, no. I'll move the creatures and you move yourselves. Guaxi: Yeah, yeah, no... Rakin: What creatures, homie? GM: The guys in

front of you. You see them opening a door and they enter a room, and inside this room, you can hear a song playing. GM: And you hear other people inside. (Guaxi: Wait, I'll move.) GM: They push the creature inside... ...and enter the room. After that, they close the door. Rakin: Such rascals, bro. Luba: Can we see light coming out of the door? GM: There's no light. (Luba: Can I roll a finding?) GM: The only light in the area is your flashlights. Calango: In front of us there's another door, is that it? GM: There's the door

they opened and closed. Calango: Ah, on our right there's a hall that goes on. GM: On the right is a hall that goes on, yeah. Calango: OK. J: What's the chance that everyone inside that room is also blind? We can't see any light coming from out the door. D: I have another theory, uh… Maybe they can only see in the dark. K: One thing, I don’t remember if I told you this, but when we're in the van, a light on the second floor turned on. It was so loud, I thought someone else had heard it,

but it turned off after that. J: From which floor? K: From the second floor, fourth floor K & GM: Second. Luba: Joui gets closer to the door and slowly opens it, pointing the flashlight. GM: You start slowly opening the door, you can get closer to it here and go open the door, with your actual hand. Luba: Are you serious?! Guaxi: Holy fuck. (Calango: That's cool.) GM: You slowly open this “cralk”, “clack”, crack! (Triz: "Clack".) and you see... (Calango: Now it's our turn to be in the crack, dude.) GM: The other two hooded guys and one

of these pale, naked and full of tattoos creatures, except now it's not naked and it has a body slightly more feminine, let me put what you can see. One of these men who's sitting, he’s supported on a scythe and they're laughing and drinking and listening to loud music, a heavy metal kind of song. Arthur, you recognize it's one of Metal Dragons' songs, they don't seem to have noticed the “clack”, the crack, fuck, the crack you've opened nor the light in the place, I'll let the door open here and pull the guys, there's this friend who

entered along with the other they're here, this one is on his back, his back towards you, this lady... I'll put the dummies after the scene, let's go. They're talking and you see specifically one man dressed differently from the rest, he has a blanked rested on a shoulder and has a different sickle than the rest, it seems to be decorated somehow, he has an eye completely white and everyone, now that you are seeing from closer, they all seem to have whitish eyes. They're laughing, having fun and chatting, one of them seems to be hitting and slapping

one of these slim, tattooed creatures to have fun, apparently it's their hobby to getting drunk, listening to music and hitting these things This is the man in the middle of the room, who attracts more attention. Luba: Are there three men? GM: This man and three more. Luba: Four dudes then. GM: Yes. You should be here, alright. Luba: I turn backwards for a bit. J: Kaiser. K: What? J: Let us all take down one at a time, we'll finish them with a single hit. K: They'll see us getting inside, won't they? J: They can't see. (GM:

Do you close the door?) Luba: No, no, I lean it. Okay, you lean the door again, to lose the vision because otherwise, there's no way for you to know, right? Luba: Okay. Calango: I grab my CS knife that I own and hold it in my hand like this. GM: Okay, you're going in a stealth encounter, correct? Luba: “Yes”. GM: Okay. You had a total of eight points before, I'll consider these same eight points. Only one can go through the door at each turn, Calango: Damn. GM: ...and they are talking to each other. Luba: Okay. I

open the door [Laughs]. GM: You can open and leave it here, there. Luba: Uh, there are eight steps then, right? GM: Yes, Luba: For each. it's eight Jouis that you can go to, exactly. But if you attack then you attack, (J: I'll go first.) GM: ...you can't come and go. Luba: Right. J: One at a time. Luba: And I want to move behind this dude in here, behind the one with the scythe. GM: How do you want to do that? Luba: Stealth. GM: Alright. Luba: I want to quietly move. GM: I want you to... You'll

have to roll yet another Stealth test against their Listening, since you're walking right beside them. Did you roll it? Luba: No, no, I'm rolling. GM: Go ahead. Rakin: Oh my God. Luba: I failed. GM: You start walking and you see a shard of glass, you think you'll step on it and when you notice it you step beside it and go through the music is really loud and it seems like the guy in front of you hasn't noticed you. You keep going, but you get closer to this armchair, there's an armchair in front of him. There

are two more tests here, you failed, right? You manage to come up until here, you'll go through the other two as well, right? There are two more tests here, (Luba: Right.) you failed, right? Luba: I did. (Rakin: Oh, shit!) GM: When you get to the armchair you try to go over it, you rest your foot on the armchair and it [Poof] deepens and makes a noise and when you do that, the person who's here goes there, you no longer see them and the music stops, the dude who's in front of you gets up. ???: What

is that?! Who are you?! GM: And I'll ask you to roll an Initiative test for me, please. Rakin: Fucking shit. (Calango: Fucking "shiet".) Luba: I had eight accumulated stealth points though. GM: And got a failure when you walked right beside them (Rakin: How do I roll Initiative?) GM: and he got 18. (Guaxi: I think it's Dexterity, Rakin.) Rakin: Is Initiative Dexterity? GM: Dexterity, yeah, and tell me the success type. Luba: It was regular. GM: Let's go. Guaxi: Bro, every initiative I roll I fail, every single one. (GM: Right.) GM: Extreme? Triz: Me. GM: Okay, Beatrice

first, then, regular? Good, sorry. Calango: Me. GM: Kaiser. Regular? (Luba: And me.) GM: Joui too? Joui had good? Luba: Regular. (GM: Regular?) Ok. And who besides Joui got regular? Okay, Joui. Fail, by Dexterity order, please. Guaxi: I have ten. Rakin: I have twelve. GM: Okay. So Dante goes first (Guaxi: Woah.) GM: ...and then Arthur. (Rakin: I'm quick dude,) quickly slow, I'm the quickest of the slow ones. GM: The Escribes, they come, wait. Guaxi: They all failed and won't play. (GM: Alright, shit.) GM: I'm truly sorry. Calango: Fucking shit. GM: There you and them. Okay. Rakin:

Luba will have to spin 360° with the katana. (GM: The man holding the scythe,) he gets up and he sees that you're right in front of him and he's the first one, and he'll try to hit you, actually, he grabs the scythe because he wasn't holding it, he gets up, grab the scythe and look at you and you can see in his look there is anger, his eyes are kind of whitish, and you see one of his eyes is slightly cross-eyed and it's completely white, it even seems like it's made of glass. Let me put

him over here, where is he? Here, I'll put you all to combat mode. He just gets up and uses his weapon, and grabs his weapon. Now, it's Joui, no, sorry, it's Beatrice. Luba: Beatrice. Triz: Okay. Beatrice, at the moment she sees it, without thinking twice, shoots with the crossbow at this dude's head. GM: You have a disadvantage because Joui is in the line and is- Luba: I deepened in the armchair. Triz: Yeah, and the guy like got up with the gun. GM: Yes, but Joui is in the line. It's the fire line, Joui is right

between you and him. Guaxi: Fucking shit. Triz: Alright then. Rakin: Liz won't have the chance to see Joui, my God, save him. Triz: Let's go, firearms, right? GM: Right, shoot. Triz: Okay, Good success. GM: Okay, let me see, you hit him, roll the damage. Calango: Nice, fuck. Rakin: Nice, nice. GM: Rise the volume up a bit. Triz: Four. GM: Four deal damage? Triz: And here it showed the lowered munition automatically. GM: Right, munition now have changed in the sheets, your munition will lower automatically, you no longer need to do it alone, do it manually. Let's

see, you hit him, he gets up startled and you right away [pow], shoot at him, the bolt enters him. ???: Aah, son of a bitch, who are you?! Are you them?! [Laughs] GM: And he gets up, at which the other two become alert and grab their pistols as well. Next, where is the sequence, I have to minimize Discord, it's Joui. (Calango: It's me.) Calango: It's Joui, is it Joui? GM: It's Joui. Luba: Joui will... (GM: No, wait, Joui got regular,) why is Joui up here? It's Kaiser. Calango: Yeah, that's why, I got Good. GM: It's

Kaiser, it's Kaiser, forgive me. Calango: Uh.... Dude, I have my little knife in my hands, right? I'll run like a mad man towards this scythe man and try to stab him, man. GM: Go ahead. Calango: Is this me? I can't see clearly. (GM: Yep, yes, yes.) You'll attack, right? Calango: Yeah, fight, right? Fuck I failed, dude. GM: Lemme pull his sheet here. Did you fail? (Luba: I'd fly away if it were me.) GM: Okay. (Calango: I failed.) GM: Let's see. You try to hit him with a knife, he jumps backwards and with a scythe in

hands, he: ???: Asshole! GM: [Slicing noises] And tries to cut you with his scythe, the one he's holding, you take... Calango: I can't even try to evade it? GM: It's a fight back, he hits you. Guaxi: It's a fight back. Calango: Oh. GM: Your deal damage is 5, (Rakin: No fucking way!) the scythe cuts you kind of superficially, but you feel something strange, you feel like its cut spread and widened after hitting you, after he got the cut on you it started to grow in you and got bigger, bleeding more. Now it's Dante. Calango: Holy

fuck, what a pain. Rakin: Dude... I look around to see if anyone's coming and get out of Arthur's way for him to do something. GM: Uh, you don't see anyone coming, no. But also you don't have a flashlight, it's all dark to you. Rakin: I ask... Damn, I just got out of his way, I can't do anything, (GM: Okay.) Rakin: I hide here at the corner and get out of Arthur's way. GM: Arthur, it's you. (Rakin: Wait, this one is Triz.) Guaxi: Okay, then... I saw him opening the way. Why are you pulling me? Ah

right, I'm back here. Rakin: I'm beside you [laughs]. Guaxi: Okay, I get closer, how much further can I go? GM: Uh... Guaxi: I think it's here, right? GM: Beatrice is right at the door, right? Then you can't go through it. (Triz: I was a little behind it, actually.) Triz: Yeah, I was here. Guaxi: Fucking shit. GM: She's blocking the door, right at the entrance. Rakin: Wait, wasn't Joui before me, Cellbit? GM: Joui played already, no? Everybody: No. GM: I ended up skipping him 'cause the order was all messed up, so it's Joui indeed, sorry. Your

turn, Joui. Luba: Uh, I'll try to attack this person behind me. GM: Uh, okay, you can turn towards them and attack. Luba: I'll use my sword. GM: You're hitting them as they're pulling the pistol, they're not holding it yet. Luba: So I have three advantages? GM: No [laughs], you only have the regular attack. Luba: Oh, fine then. Triz: Just to be sure. Luba: I got a Regular. GM: You hit them. Luba: Damage? GM: Damage, yes Guaxi: Nine. Luba: Six. GM: Six damage? Luba: Six. (GM: This one, okay.) The cut is quite deep, you hurt him

drastically, you tear his chest apart like this, he goes [grunting] he moans in pain, it starts bleeding a lot, but he's still standing. Luba: Can't I aim at the hands? Can't I hit his hands? GM: No. No, because you didn't even get an Extreme. Luba: Okay. GM: Uh, now it's Arthur, it's Arthur. Guaxi: Yeah, no, I just moved the closest possible here, Guaxi: I won't even bother it. (GM: You can try shooting with Disadvantage.) Guaxi: But then I might hit them, right? Misfire. GM: Only if you Fumble, only if you get a one. Guaxi: Uhm...

Guaxi: Did I see Cesar getting hit? GM: Uh... you saw Cesar getting hit, GM: He's getting hit at this moment. (Guaxi: Then I'll shoot, I will.) Dear... blessed Lord, where's the guy who hit him? GM: Right ahead, it's the sickle dude. Guaxi: Is it the one at... Fine, okay. I'll try, please Lord! Ow, ow, ow, two [cries]! All: [Gasp.] GM: You miss the shoot, your gun is silenced so it doesn't make noise, it just [psiun], the bullet goes, it hits behind him and you see the creature, this creature, kind of semi-dead, and it just [moans]

and starts to walk towards you. It's walking towards Joui. They move kind of... quite a zombie-walk, as if it's just throwing itself forwards without much strength. Now these men, their action was to grab their weapons, and now it's the scythe madman. He moved backwards, attacked Kaiser and he'll take advantage to hit with the scythe once again. You can Fight Back, Dodge or Block it. Calango: Dodging is Dexterity? GM: Dexterity, yes. Calango: Or is there a Dodge? (GM: There is a Dodge.) Calango: Oh no, there is Dodge? I'll Dodge. I got Good, man. I rolled twenty

and that's a Good. GM: You succeed, you jump backwards and you [swoosh] see the scythe moving once again, you got that first hit that while it opened you managed to move backwards and dodge his second hit. He looks at all of you: ???: You finally arrived! GM: And now it's Beatrice. Triz: Uh, this guy beside me, how far from me is he? GM: He's beside you. Triz: Okay, I'll try to stab him then. GM: You have the crossbow in your hands, grabbing the knife is an Action. Triz: Hm. Then I'll charge the crossbow. GM: Okay,

uh, are you standing there or will you move? Triz: Okay, I'll just step forward a bit to let Arthur pass. (GM: Here's a door, wait.) GM: Okay, you can move until here, yes. And now it's... Kaiser. Calango: Me? (GM: Yes.) Calango: Man, do I have a nice view of this table here? GM: You do, yes. Calango: Can I try running towards it? GM: You can. Calango: What will... Okay, then I'm running towards it. GM: You walk through this creature, you see that it [moaning] follows you with its eyes. And you go behind this table here

GM: and use it as a cover. (Calango: Behind this table...) and I get my M4. GM: Okay. Uh, next is Joui. Luba: I’m going to sword this guy again. GM: Uh, you can use it, okay. I'll increase the brightness of the place a little just to… I’ll ask not to look at the rest of the dungeon so you don't get spoilers. Guaxi: Oh, no, I zoomed as fuck on my screen. (Luba: It was a Success…) Luba: I got Good, dude. GM: You got Good? Luba: Good. (GM: Okay.) Let me... It would be more… Okay, you

hit him. Who did you attack, sorry, the guy with a pistol? Luba: Yeah, again. (GM: OK.) GM: You can attack. Deal damage. (Luba: The same one as before.) Luba: Five. GM: Five? You... You do that first cut, turn the sword and [plorkk] you spike him. He goes [groaning], he smiles and dies over your sword. Then you just take it off, [pwaf], and he falls on the ground (Luba: I take the sword off and say:) J: Damn! GM: It's Dante now. Rakin: I want to try to crawl to get this guy’s gun. Really crawling, like... Rakin:

Is Arthur in front of me? (GM: You didn't see him dying.) Rakin: Ah, I didn’t? Ah, then I’m quiet here still looking back. Calango: [Laughs]. GM: Okay. (Rakin: I'm quietly looking back.) Rakin: To see if someone's coming. (GM: You can roll a Finding...) GM: To see if you noticed that he died. Rakin: Can I? So let’s go, let’s roll for Finding. Calango: Melt them, dude, I don't know. [Everyone laughs] Rakin: I don’t have anything. Calango: Throw hosts at them! Rakin: Nice, it was a Regular Success. (Luba: [Laughs].) GM: You can see it, yeah you can

see it. Rakin: Ok, I wanna crawl, like, hidden, and try to get this gun, dude. GM: Okay, so you go through then, you go through… You go slowly through… I let you come here, it's like a third of your movement. Rakin: Until here? (GM: Until the door.) You're laid on the floor, going slowly. GM: Arthur can't see you because you're in the dark, he's in the middle of the battle. Now it’s Arthur. Guaxi: OK, I’ll go in as much as possible. (GM: Mhmm.) GM: Here’s a door. (Guaxi: Is there someone here I can see?) GM:

You can’t pass because Beatrice is blocking. (Guaxi: Can I shoot this guy?) Guaxi: But can I shoot this guy down here? GM: No because of the door. The door is blocking. Guaxi: Shit, bro. Calango: Damn it. Guaxi: Damn it. So I can… Wow, Can I pass by these guys here, like, here in this corner? So I can get a placement, no? GM: If you can what? Guaxi: Pass here, look, where this guy died and, like, come here, I don’t know... GM: You can, you can. I'll let you pass. Guaxi: Okay, so I'm just going to

go as far as possible here, (GM: OK.) Guaxi: and I'm going to shoot this guy here too. (GM: Okay.) GM: You can attack. (Guaxi: The one with the scythe.) GM: Yes. He’s not covered yet (Guaxi: All right.) GM: He's attacking in the middle of… Guaxi: Please... Good Success. GM: Deal damage. (Calango: Nice.) Guaxi: The damage, let’s go. Guaxi: Six. (GM: Six damage?) You hit him right in the chest, (Guaxi: Mhmm.) GM: [Plorkk] he [grunts]. He seems to be really resistant, he has… He’s pretty muscular, he seems to hold up well. When you hit him, he

turns to you. Now it’s... the other guy, the guy down here. He hides behind this armchair, as a cover, and he tries to shoot the first person in front of him, Joui. It's a girl actually. Uh, he misses, she misses. The bullet passes [pew] from behind, it makes a loud noise, the shot. And now it's the scythe guy. He sees Arthur shooting him, and comes running up to Arthur, who's up here, right? Guaxi: Mhmm. GM: He’s going to try and hit you with the scythe. You can Fight Back, Dodge or Block. Guaxi: I want… Fight

Back uses what? GM: Uh, Fight Back is Fighting. Luba: Fighting, Brawl. (Guaxi: Fighting?) Guaxi: Okay, I want to Fight Back. Guaxi: I'll attack, here. Regular Success. GM: You get it. You can deal the damage. He comes all the way with the scythe towards you, but he stumbles upon this creature that's between you and him. Guaxi: Three damage. GM: Three damage? You punch him and destabilize him a bit. GM: Now it’s Beatrice. (Guaxi: Not here, sucker.) Triz: All right, I’ll aim my shot on him. GM: The scythe guy? Triz: Mhmm. (GM: You can, you can attack.)

Triz: Wow, I Failed man. (GM: Roll a Luck check for me, please.) Triz: Okay. Triz: Good Success. GM: You see your bolt passing, scraping that creature that keeps [moaning] and doesn't hit it. They come... They keep walking and they come, like, walking slowly and go ahead. Joui, you see this bizarre creature. GM: In front of you, just looking at you. It’s just looking, like, really close. I need you to roll a Sanity test. Luba: I got 69, it should count, but it's a failure. GM: Okay, you lose 1 of Sanity because it’s bizarre. Looks like

there’s a person in there, Not like a zombie, not undead. It just looks like a person in a very, very, very decrepit state. And it’s looking deep in your eyes, completely empty. And you hear it whispering: ???: Ah... Aorathton... And now, let me see who it is, it’s the scythe guy, right? No, Beatrice attacked him. It's Kaiser. Calango: M4 in hand already, I want to shoot the scythe guy. GM: Okay, he’s in front of… Sorry, you’re behind the table. Clean shot, you can attack. Calango: I have… I’m almost at point-blank. Will I have disadvantage if

I shoot twice? GM: You’re almost at point-blank, you won’t have disadvantage, I’ll allow it. Calango: Two shots? GM: Two shots? Calango: Two shots, yeah. GM: Two shots, yes, you can shoot twice. Calango: Okay, so I’ll shoot twice. One was regular. GM: Okay. Calango: I failed the other. GM: Damage of the first? Calango: 9. GM: 9 damage? Calango: Mhm. Luba: Wow. GM: Describe how he died, please? GM: He runs up to Arthur and... [Pow] gets punched, what then? Calango: Nice! Calango: Man, he gets punched by Arthur, he was dizzy, trying to collect himself. When he seemed

to be recomposed... [Poof] it goes through his temple, like this, a bullet. GM: He falls [Splat] [Grunts] dead on the floor. His friend doesn’t even react. Oops, sorry you’re dead. Die, please. Guaxi: He doesn’t wanna. GM: He’s not dead, GM: I don’t know why. (Guaxi: I no wanna!) GM: Done, he’s gone, dead. Now… He should… There’s his body there. I’ll represent him with this body because my token broke. Now it’s Joui. GM: There’s only one person alive back here, on the armchair, behind the armchair. You notice that, unlike the building occultists, for example, when these

guys, the Escribes, die, they don’t seem to care. Luba: Okay, Joui heard the shot... GM: I call them Escribes because it’s not much of a spoiler, it’s their names, you don’t know it yet. Calango: Okay. Luba: Okay. Joui heard the shot coming from behind, that the woman missed, and he kind of ignores this creature. He feels this, he really felt that it’s not… He didn’t feel hostility from it. So he felt a bit of empathy for it, he kind of ignored it and jumped behind the armchair for some cover. GM: Okay, roll Dexterity for me,

please? To see if you can pass through it easily. (Luba: Okay.) Luba: Extreme. GM: You… Fuck, describe it. Luba: I do a flip. [Everyone laughs] GM: Perfect. Luba: I do a flip and stop right with the back, sorry, with the front. Exactly like you are putting... … and I lower myself. GM: You have a view… You have a straight view line to the guy, the girl. Luba: Right. GM: Done… No, it wasn’t an action. If you had failed, you would’ve spent the action. Luba: Ah, okay. Well, I prepare the bow. I’m with the sword, right?

(GM: You draw the bow?) Luba: Yes. GM: Dante. Rakin: I approach the gun, I’m almost there. (GM: You can reach it, if you want to.) Rakin: I want to get it then. GM: Okay. The gun is a Glock. Rakin: Ooh! Guaxi: I also have that one. Rakin: Nice, this was the one I should have if I had one, right? Cool. GM: You take it. (Rakin: Can I use it?) GM: Picking it up was the action. Rakin: Ah, I got the Glock. GM: Next it’s Arthur. Guaxi: Who’s left in the room? Just... (GM: Just her.) Guaxi:

Just her? GM: And the things. GM: The Existed. (Guaxi: So, shoot her.) Guaxi: I’m gonna shoot. GM: You can shoot. Guaxi: Regular success. GM: Deal the damage. Calango: Nice, dude. Guaxi: Lesgo, 10. GM: 10 of damage? (Rakin: Wow. Hit Kill.) GM: She gets cover behind the armchair. GM: You shoot her through the armchair, but not with the impact it would have. You deal a good damage, but it's not enough. Calango: Fuck. GM: Because of the… Because she went behind the armchair which is her cover. It’s her turn now. She's gonna shoot you. She gets shot:

???: Son of a bitch. GM: And she's going to shoot. Guaxi: Okay. GM: Do you have a cover? Guaxi: I don’t. Here, (GM: Where are you?) Guaxi: look where I am. GM: No cover. You can use Joui as a cover if you want. Guaxi: Never, are you crazy? [Laughter] Luba: I’m crouched down. Guaxi: [Laughs] GM: She misses the shot. And the shot hits behind you, on the wall. Luba: Wow, she’s very bad. Guaxi: Horrible. GM: It’s Beatrice now. Guaxi: [Laughs] Triz: Alright, I’m going to aim at her. (GM: You’re here, you can aim.) GM: Are

you aiming or are you going to shoot? Triz: I’m… I’m going to shoot, going to shoot. GM: You can shoot. Triz: Disaster. GM: [Laughs] She got Extreme. She, with a sixth sense, looks at the bolt [Woosh] it passes through… The weapon jams, actually, it didn’t shoot GM: Your weapon is jammed and you have to spend two turns fixing it. Calango: Holy shit. (Triz: Great.) Guaxi: [Laughs] Throw it on the floor. GM: If you want to use it, you can just change weapons. Next, it’s Kaiser. Calango: Let’s blow her up. GM: Do it. Calango: Pow! Regular.

GM: Okay. Roll the damage. Guaxi: More than three, more than three. Calango: 6. GM: 6? Luba: [Houf] Guaxi: The double! GM: She dodges the bolt, but it didn't fly off, she gets confused and in this confusion, she didn’t see Kaiser’s bullet in the middle of her nose. And [Pow] sinks back and falls to the ground, ending the battle. Rakin: Wow dude. Calango: Okay, I have a scythe cut, where was it again? GM: It was right on the chest, he ripped and opened it, but after the cut. Clearly, there’s something paranormal there. Calango: Okay. A: Are

you okay, are you okay? Kaiser? J: Is everyone okay? It's over? (K: I’m fine.) B: Kaiser was attacked and got a huge cut. D: There're creatures here. (K: I’m fine.) Guaxi: I put my hand on his head to see if he has a fever. (K: And the creatures?) J: Wait, they’re not... GM: You see these creatures, they… Both of them… When Joui left, they kept looking at him. And kept going towards him. J: They don’t seem to want to hurt, they… I don’t think they’re creatures, I think there’s still humanity in them. A: But let’s

stay away, right? Avoid it. K: Humanity? (Rakin: I want to…) J: Looks like they’re just people that suffered a lot, they’re not... K: You think they’re still suffering? GM: You can use the flashlight to make it easier to... Rakin: Geez. I want to walk to it and read the texts, to see if I recognize anything. GM: Dante, when you approach, (Guaxi: I’ll shine.) GM: you notice that all of these tattoos... are in different languages, and are different texts, there are parts that are huge stories and tsome that are just different phrases. I’m going to ask

you to roll... A Language test for me, please. Rakin: Normal Language or in general? (GM: Normal.) Rakin: Native Language then. Good, good success. GM: You recognize some of these, they’re clearly quotes from famous people, before they died, others are horror stories, like “I see someone watching me through the door” or "I woke up in a dark corridor”. D: G... Guys, these texts on these creatures are... very strange. Some are quotes from famous people, others are horror movies’ things. Looks like they’re trying to... shape the... way these creatures’ think with... the memories in the texts. It

can be some kind of... mind ritual. J: Can they be saved, Dante? GM: You see they just keep whispering and grunting,.. over and over, always repeating the same thing. Each saying something different. The male keeps saying... (D: I don’t know...) GM: I need to get his name... GM: Uh... Existed: Aorathton. GM: And the feminine one (Rakin: I get closer to listen.) keeps saying. Existed: [Utur] Calango: Did Dante said if it have salvation? Did you? Rakin: I said: D: There's no way to confirm, I'd have to... (Triz: I wanted-) Triz: I wanted- (Calango: I'll grab my

knife.) It's some kind of language? Can I try rolling Foreign Language? GM: You can try rolling History, maybe. Triz: Okay, is because my foreign language is Latin, but it's alright. GM: You can roll the test if you'd like. Triz: History was a fail. GM: Okay, you don't recognize it. Triz: Okay. And language, it was a regular. GM: You recognize that it isn't Latin, no. Triz: Okay. GM: They're names- (D: Guys...) They're probably names of a language you don't know. Triz: Okay. Luba: Master, I want to look deeply into the eyes of the one standing in

front of me. GM: Okay. You look and you see human eyes but are completely empty. And it's looking back at you, deep into your eyes. It puts one hand on your shoulder and the other on the other side. It keeps looking, staring at you, deep through your eyes. Luba: I want to put my left hand on one of its shoulders as well. As a type of gratitude. Existed: [Aorathon] [Groans] Luba: Joui says: J: I'm sorry for what happened to you. Luba: And sinks his sword into the chest. GM: Roll attack for me, please. Luba: I

hit it? Since... GM: Yes, you can roll damage. Luba: Four. GM: Four of damage? When you start to sink the sword into its chest, something starts to happen. Its tattoos on his body, the mouth and the back of its eyes, you start to see a glow rising. Existed: [Loud Goans] [Aorathton] GM: Its starts to shine bright, its jumps back and tries to punch you in the face. Calango: Fucking shit. Luba: Do I dodge or I... GM: It's a surprise attack, you weren't expecting it. You get punched in the face. Its starts to [being exorcised] move

quickly and looks at you. It keeps repeating: Existed: [Aorathton! Aorathton!] GM: But now, more hysterically. Almost like screaming, in these bizarre groans of it. You dealt that damage on him, (J: Hey guys?!) but now it seems to became something else. Now it's a combat. Wait a bit. Rakin: Has the other one done something? GM: It's just looking. It's looking and turns to Kaiser, and it keeps just looking. Existed: [Groans] [Utur]. GM: Meanwhile, let's go. You took... 3 of damage, Joui. It punches you strongly in the mouth, it's frenetically (Rakin: A well thrown punch!) [being exorcised]

moving towards you. After the jump to get free from your sword. Luba: Now, can I strike back? GM: Yes, it's your turn. Unless, someone wants to act now, it'll be the same order as before. It would be Dante now. Rakin: Damn, I didn't have my weapon in hands. I didn't think there would be a fight. GM: Okay. It's Arthur then. Guaxi: I... don't even know where I am. Ah, I'm here!. I was lighting it up for you guys. GM: Yeah, you were far. You were here, more or less, over here, Guaxi: Okay. Rakin: I'm just

drawing my weapon. Guaxi: I'll... Where's the thing? GM: It's the one shining. Guaxi: It's the one shining? GM: Yes. Guaxi: Okay. I'll aim and shoot as well. GM: Go ahead. Guaxi: Okay, “let’s go”. “Yes!” Good success. GM: Roll the damage. Guaxi: 9. GM: 9 of damage? (Calango: Wow!) GM: You see this creature moving quickly, ready to attack Joui, to jump on him, and keep attacking him frantically. Then you, [Gunshot] [Falling sound], shoot its head. It [blood gushing out] falls dead on the ground. And all of its tattoos stop glowing. J: Dear Lord! I had no

idea this would happen! GM: At that, Kaiser, The feminine one, (Calango: Me?) comes near and stares into your eyes. She tries to put her hands on your face, like this. Existed: [Utur] GM: It tries to look deep into your eyes. Calango: I'll shoot it twice. Rakin: No, wait, can I like... (GM: Will you shoot?) Can I step forward? And say "No, don't do this"? GM: You see him raising his gun, (Rakin: There's time?) you can shout, but getting in front of him, no. (D: Don't do that!) K: Why? Look what it did to Joui. A:

That's because he attacked it. (D: We need to know-) D: He was the one who stabbed this creature, we have to know what it is. A: Is it harmless until attacked? (J: It was because I attacked.) D: There could be much more, maybe there's some humanity. We can try to investigate the dead one. I can look to see if I can find something out. Just wait. GM: Its blood is red. K: Five minutes before I shoot. Guaxi: GM, I want to roll Find on this sickled dude's body here. GM: Okay, roll Find. Rakin: I want

to get closer to this body and try to “unwrap” the inscriptions on the body. Triz: In the meantime, did I have time to fix my weapon? GM: It's all tattooed, into the skin. Yes, it's all tattoos on its thin skin. (Rakin: It's tattooed? It's actual skin?) Rakin: Damn, dude. GM: You. You give the sickle man's body, a thorough look. Arthur, you don't find anything. He's completely...There's nothing with him. Just the sickle thrown on the floor. Rakin: Then I want to- D: Arthur, can you hand me your flashlight? A: Of course. Rakin: I want to search

into the room, to see if (Guaxi: I give it to him.) I find something that can help me understand, like a ritual. GM: You look around, it just seems to be a room for parties. There are plenty of pieces of glass bottles around, some speakers, some tilted armchairs, the room doesn't seem to have anything more. Rakin: I'll go to this other body and search into as well. GM: Go on. The battle's over. GM: Keep the music. Rakin: I'll roll Find, on the dead woman's body here. GM: Okay. Roll Find. Guaxi: Have you explained how it's

the sickle, GM? GM: The sickle... Let me get the art again, so you can see. It's a sickle that is tied, the blade is kind of tied and nailed into a piece of wood. GM: It has some details. (Guaxi: Oh, got it.) Carved on the blade, kind of wavy like this. It's tied to a barrel. (Rakin: Regular success.) Guaxi: I got it, what of a sick sickle. A: Look at this sickle, Kaiser. K: Yeah, that's what hurt me. Triz: Can I see the it too? GM: What did you get on finding, fail? Rakin: Regular. GM:

Yes, you just noticed that... (Guaxi: Fumble.) Did you fumble? Yeah, that's all you find. (Guaxi: I hid from it.) You notice when you grab the sickle, that is actually a knife tied in a barrel. Rakin: And from this dead person on the floor? GM: How much did you get? In finding. Rakin: Regular, 11. GM: Let's go. Regular? Rakin: Regular. GM: You find 100 reais. Rakin: I'll pocket that, right, man. Guaxi: Aw man. Give it to me, dude. Calango: He just left the prison and is richer than Arthur. (Rakin: I'm starving, bro.) Guaxi: Fuck. Rakin: No

but, fine. D: I couldn't find anything. Cesar, can I see your wound? K: Sorry, what did you call me? D: Can I see your wound? Guaxi: It's Kaiser, not Cesar. (GM: Kaiser, yeah.) D: Sorry. Rakin: Great, it lagged. Rakin: Ah, old habits, you know? Past lives and all of that. [Laughs] It's tough. (Guaxi: You received a sign.) I got possessed by a spirit. (A: That's true.) And, “Sup, Kaiser.” A: Hey, Kaiser. He can look into your wound, he's a doctor. GM: Kaiser, that creature, it's- You left it, right? You didn't shoot it. Its hands is

on your face, looking at you. (Calango: I didn't shoot.) Existed: [Utur]. Calango: I'm not looking at it. GM: You're not looking at it? Calango: No, I'm looking to the sides, with my weapon- GM: It tries to keep pulling your face, so you look at it. Existed: [Utur] Calango: I try to resist. If it's too hard, I'll shoot it twice. GM: Okay. It uses its strength, for you to look at it. Will you roll Strength? Calango: Okay. I look at Dante, I just gesture like this, and will shoot. Rakin: I can't do nothing. (GM: Will you

shoot?) Calango: I'll shoot twice. GM: You do it, without disadvantage in both. Calango: Can't I roll the damage right away? GM: No, you have to attack, it's point-blank. Right? Calango: Woah, but my gun is on her. GM: You could roll a fumble, things can happen, it's an RPG after all. Calango: One is Regular. GM:Okay. Rakin: Imagine it's Liz, dude. GM: Actually, since you aimed. I'll let you roll the damage, yes. Because you aimed. (Calango: Yes, but I hit both.) Practically, right? You'd have a bonus from aiming too, there's a lot of things. Calango: Okay. So

it's ten plus- GM: Yeah, you put it on her head [Gunshot] (Calango: Three.) [Being shot] and instantly explodes. She falls dead on the floor. GM: Your M4 isn't silenced, right? (J: Guys I'm sorry, I didn't-) Calango: It's not silent, no. GM: Okay, just to be sure. D: Kaiser, can I see your wound? J: Guys I'm sorry, I didn't... know that would happen. K: It's okay, Arthur, it's not your fault. Guaxi: Arthur? (J: Joui.) K: Joui, sorry. A: I didn't do anything. K: What did you want to do to me, Dante? D: Nothing, I just wanted

to see how he is, I want to see if I can do something. K: You're a doctor, right? D: Yes. K: Alright. Calango: Then I'll let him look. Rakin: Do I roll first aid, sir GM? GM: What do you want to do? First aid is only for when someone's dying. Rakin: Medicine then, right? GM: Medicine, yes, but Medicine you'd need, like, an hour to treat the wounds. Rakin: Nevermind then. Seeing the wound, can I see if anything's severe, something infected, some ritual of the sickle that might... GM: You're not with a major wound, right, Kaiser?

Calango: How much is a major wound? GM: More than... If you take more than half in a single hit. Calango: No, no. GM: Then no. Calango: For one it wasn't a major wound. Rakin: Okay. There wasn't any kind of infection from the rusty blade, right? GM: No, no, that'd be a major wound. Rakin: Alright. D: No, everything seems alright GM: But the wound is ugly, it's quite open and big. D: We have to sew this up soon but I don't think it's anything urgent. (K: There's no way to do it now.) J: Guys, when the

scythe guy was attacked the first time he said "Finally you arrived" and by the shots we did here, I think they're definitely waiting for us in other places. (B: Absolutely.) J: I'm sorry, I'll be more careful, I just want to find Miss Liz soon. K: It's all okay. (B: It's okay Joui,) we're giving our best, let's keep going like this. K: Let's keep going. Calango: And I start to leave the room. GM: Okay. Luba: I want to roll finding this dude here, the one I killed with the sword. GM: You can roll Finding. Luba: Fail.

GM: You don't find anything much, nothing that grabs your attention. Luba: Not even five bucks? GM: Nothing. Rakin: I'm going right behind Beatrice, I want to see if she's hurt but without saying anything. GM: Okay. Roll a Finding. Rakin: Okay. GM: But wait, you can see, no need to roll finding for this. Rakin: No? OK. GM: Beatrice, were you hurt? No, right? Triz: No. GM: Okay. Luba: I did get hurt, right, [to himself] but it's okay, no one asked. Triz: How curious. GM: Okay, you can put yourselves in there, in the corridor, in the way

you want to keep progressing. Luba: I'll move more behind this time (GM: You can put it right here, like this.) with the arrow, with the bow and arrow in hands. Triz: Have I fixed my crossbow already, I did, right? GM: If you did? You did, yes, you fixed the crossbow, you can already equip it, just in a battle that it stays locked. Triz: Okay. GM: Each round is 15 seconds, so it's like 30 seconds to get it fixed. Triz: Right. K: Who's walking in front? B: I can go. K: Do you want to, Arthur? A:

I don't. K: I'll go then. GM: You start to walk forward then and you see that, going straight through this corridor, to the left there's a closed door and a lot of rubbish that stops you from moving that way. Calango: To our left, there's a closed door? GM: Exact. Luba: Right, then? Calango: Right, yes. GM: Yeah, right, to your right, it's my left, you have a point, it's your right. Guaxi: Do you want me to keep taking us? GM: You can't go through the rubbish, it goes up until the roof. Rakin: I took the Glock

with me, right, GM? Just to assure it. GM: You took the Glock, if you want to take the Glock put it in your inventory. Rakin: Okay. There was already one, right? That I ended up not getting back. (GM: Okay, you can consider it.) Rakin: Okay GM: There is a closed door beside you. (Rakin: Do I get the money back?) Guaxi: You have its info right, do you, Rakin? If you need it I can text you with it. Rakin: I have. (GM: He has it.) Guaxi: It's okay then. (Rakin: I'll see later if the GM can

cash me back.) Triz: Is there a way to know if the door opens forward or backward? GM: This one specifically, probably opens forward. Triz: Okay. Rakin: While we walk I'm seeing how much munition there is in the Glock, I open it like this, check it. J: Beatrice... GM: Or backward, every door opens both ways you can open backward if you'd like, it can be easier. Triz: Okay. Calango: Crazy, it's a double hinge. J: You can open it, I'll cover you. Triz: I want to try to open it forward though, I'll try to open once and

for all forwards. GM: Open it backward, otherwise there'll be some issues for you to go through the corridor later on. It opens backward, it doesn't make sense why it'd open forwards, sorry. Triz: OK GM: You open the door and inside of it... (Triz: Very slowly.) GM: You all see a room incredibly narrow and empty, with one closet by the left with some pans, some boxes in front and a sink beside it. Triz: Can I roll Finding? GM: You can roll Finding. K: Hey, what is this in here, Dante? Triz: Regular success. GM: What are you

looking for, exactly? Triz: Absolutely anything that escapes from "sink and boxes and closet". M: You see a closed closet and you notice, it's not too hard to notice that when you point your flashlight towards it, there's a crack behind it. Rakin: Okay. Can I roll wisdom to know what the room is about, GM? What have Kaiser asked. (GM: You can roll wisdom to try to remember.) Beatrice, actually, roll wisdom you too, please. Triz: Alright. (Rakin: Regular, regular.) GM: Regular? Here it appeared as a fail. Rakin: Here I got regular, I got an eight. (GM: It

must've bugged, it must've bugged, I think it bugged.) GM: It worked, it now worked. Regular? Triz: Fail. (GM: You remember,) Dante, that this is the room of a janitor, the orphanage's janitor who stayed here a couple of days. D: This was the janitor's room, Kaiser, whenever he came he'd stay here for a while. We didn't really come in here. B: I don't recognize this room but it seems like there's a crack behind that closet, maybe there's something there. Triz: I'll speak quietly, to Joui, who's right here in front of me. GM: Joui? (B: I think

we should check it.) J: Okay, let's go. Calango: I'll stay in the corridor looking behind here. GM: More to the right, you see that down here there's a wall and something else in the room down here, there's another closet, you move forward to explore it, and there's a quite dirty and abandoned bed. Triz: I think I didn't understand the description right, I thought there was something, like, that if we push the closet there'd be something behind it, right? GM: Alright, calm down, it's that you went there, I'm just describing the rest of the place. GM:

But there is something in here, yes. (Triz: Alright.) Triz: Just to be sure if I understood it wrong or not. Luba: I'll go to the middle then, I'll see what's behind there. GM: In the closet? Luba: Yeah. GM: You see that the closet is a bit loose but it's heavy. J: Dante, Beatrice, help me here. D: Alright. (B: Let's go.) GM: You three then push it, you don't even need to roll anything because you're in a trio, you manage to push the closet a bit to the side. You can push it. Luba: Look! Rakin: How

pretty. J: Be careful, guys. Luba: I'll keep going forward along with Beatrice. Triz: Yup. GM: Who stayed behind here? Arthur stayed a bit behind. What are you doing, Arthur? Calango: I'm looking at the corridor. (Guaxi: I'm with Cesar, with Kaiser.) GM: Okay, wait, okay, Kaiser and... Okay, okay, okay, okay. Calango: I'm looking at the corridor. (GM: Okay.) You move straightforwardly, you arrive on what seems to be a bathroom, it's very dirty, the smell is of mold, it's very uncomfortable. Don't turn around, never press F when you have the flashlight on, alright? Otherwise, it'll bug, let

it turn normal. GM: Like this. J: Why is there a secret passage? GM: The wall that was revealed from behind the closet seems to be broken, it's not meant to be exactly... It wasn't like this naturally. Meanwhile, Kaiser and Arthur behind here, do what? (Luba: I want to roll a...) Calango: I'm just looking at the corridor. GM: Okay. Calango: To see if anyone is coming. Guaxi: Yeah, I'm also only waiting for them to come. Rakin: I'm astonished, dude, I will end up entering a bit before them because I'm very fascinated with this room. Luba: Go

ahead. D: I don't remember this place. (Luba: We'll keep exploring.) GM: You go through. No, you recognize this, this toilet... (Rakin: So I recognize it?) GM: but its door is to the other side, but this wall has been broken, but it's the orphanage's toilet. (Calango: I think that's a opening through the rubbish.) Calango: It's a shortcut, right? D: I don't know, I'm just curious. (GM: You see beside the sinks a door.) You can narrate what you're doing instead of just going, going and moving. Rakin: I'm for real just looking around like this, like “Dude, why

did that room end up in here?” Triz: Me too, I'm super alert. (Rakin: And why did they want to do this?) Rakin: I'm trying to think. (J: Ah, I don't know.) Luba: Joui is... (B: I suppose this could be a shortcut of some sorts,) B: Like a way they could go through without an invader knowing, then obviously from where they are, from where they're on. D: So they were already expecting some kind of confrontation here then, like, I think... I don't see a shortcut as something interesting, but more the reason for a shortcut, that's what

I'm trying to figure out, what's the reason behind doing this to the orphanage. J: And specifically in the bedroom of... What was it? (B: Janitor.) D: A janitor (J: Janitor?) J: Alright. Guys, cover me, I'll try to open the door. B: I'm covering you. GM: The door can only be opened forward. Luba: I open it slowly. (GM: You start opening it) and what you see is only an empty corridor. Luba: Woop. GM: We'll do... Let me open it for you, that's it. (Luba: [Laughs]) Luba: Thank you. I'll walk in slowly, look to the right. GM:

You look to the right and you don't seem to see anything, the corridor continues and further ahead there is an opening that seems to go to that external area as well, that one from the beginning. (Luba: Okay.) Luba: I look to the left. GM: To the left is the corridor, it goes straight then turns once more to the left. This door in here is completely broken, and here at the right there's another door, right in here you can see, very dark, at the end there's a door, after that passage to the external area. J: [Whispering]

Beatrice, you’re the one with the flashlight, go get the boys. B: [Whispering] Okay. Triz: I’ll go there. GM: Okay. You go back, pass through the dirty bathroom, you go through the sinks, the toilets. The bathroom looks like it’s used by whoever stays here. You go back through everything and arrive in the janitor's room, with the lockers, boxes and sinks you passed. B: [Whispering] Guys, guys. K: What? B: [Whispering] There’s a big corridor here, looks like it gives access to other places, I think we should stay together. A: [Whispering] Let’s go then? (K: All right, we

have to go, okay.) A: [Whispering] I think we do. (B: [Whispering] Come here.) GM: You pass… Why is this locker inverted? It’s like this. Luba: While that happens, I’ll talk to Dante, here, who stayed with me. (GM: So, you ignore that janitor’s room.) GM: And Joui and Dante? J: Hey Dante, you really don’t remember Beatrice? D: No. I really don’t know who she is. J: Okay. Luba: That's it. GM: Okay. You see the group coming over with the flashlights. J: For some reason, there’s a secret passage between the janitor’s room and the bathroom. K: I

think that’s not a secret passage, I think they just wanted to go to the other side, because it's full of rubble where we were, right? J: [Whispering] Oh, yeah true. K: I think the left corridor is... I mean, if we turn here, on the left, there’ll be the other side of the rubbles. J: [Whispering] Okay, you’re very smart. K: I know. (A: [Whispering] It’s true..) B: But anyway, it’s a way of them walking without any invasion knowing where they are. K: It’s… whether or not, they plugged that wall they opened here. J: You’re not that

smart. Luba: And Joui goes in here, look, to verify the inside. GM: you go in and you see these metal lockers, (A: [Whispering] Yes, you are.) rusty, some opened, others closed. And... Luba: I want to roll a Finding on the lockers. GM: ....Are you going to open the lockers? Okay. Roll a finding, please. Luba: I failed, couldn’t even open. GM: You can see it, even so, right away, in one of the lockers, you see a paper. Luba: I take it. GM: The paper you find, I’m gonna put it here. Luba: I pick it up and

put my flashlight on it so I can see and read. (GM: Exactly.) GM: You find... this. Let me decrease it a little, put it here, there. J: Guys, I found something. Triz: I get closer to him to also look at the paper. J: Seems to be a map, look. Luba: And then I show them. J: Dorm, don’t go in, don’t open, dangerous. Hey, it’s on the right side, where you saw, or felt, I don’t know, those paranormal things. (D: Yeah, I think that…) (J: And there’s a dot…) D: Yeah, I think it is. I think

we’re in this room here, between the cross and question mark, based on our moves; no? (GM: Sounds like a book, right?) GM: Between the cross and question mark. (Luba: I knew he was gonna say this, fuck) Rakin: What? Luba: I knew it. Guaxi: What a silly guy. J: Hey, I think there’s a question mark where we are. (D: I think we’re in this room on the left, no?) J: No, wait... (J: You’re very smart.) Calango: Am I seeing the map? (GM: No.) Guaxi: No. GM: Only Dante and Joui Calango: Ah, man. Triz: I can also

see it, Master. Can I, (GM: Beatrice is.) understand the map, is there anything I can roll to understand where we are for sure? GM: No, the logic. Triz: No need to. GM: You need to use logic, yeah... (Triz: Okay.) Luba: I keep going in. I put away the paper. GM: Okay, you can keep it, you can save it if you want. Put in your inventory that you’re with it, just to remember you have it. You go in and you see some (Luba: Yes, sir.) kind of computer room. There are a lot of broken screens, keyboards

on the floor. This is the most destroyed room of the entire orphanage you’ve seen until now. Triz: Just for the record, guys, cause I can't remember where we turned, I have a bad memory, where were we on this map? Luba: On the upper left corner. Triz: Okay, in a room that has absolutely nothing, not even a cross or question mark, right? Rakin: That’s it. Luba: This book exactly. (Triz: Okay.) Rakin: This book. [Laughs] J: [Whispering] Kaiser. (Triz: All right, thanks.) J: [Whispering] Kaiser. K: [Whispering] What? J: [Whispering] There are computers here, look. Guaxi: You look

back, Arthur is with the flashlight on Kaiser’s face, like this. [Laugh] Rakin: Can I roll an Intelligence to see if I recognize what room this is, Master? GM: You can, but you don’t even need to. This is the computer room that had opened recently. GM: Before the orphanage was destroyed in flames. Rakin: “Feels bad”. Calango: Just the old-fashioned equipment then? GM: Not exactly old, they were very modern for the time. Calango: But old for us, now. Rakin: Sixteen… Eleven years ago. (GM: But it’s completely destroyed.) Luba: I wanna come here and roll a finding on

these lockers too, look. GM: You can do it. Rakin: I’m going to do the same thing. I wanna look those things to see if I find something. (Luba: I failed.) GM: Okay. Rakin: I’m gonna roll it now, wait. J: [whispering] Liz, are you here? Luba: I say close to some lockers. Rakin: Regular success. GM: Dante, you notice that there are a lot of lockers open, like this. There aren't a lot of things inside of them. You find in one of the lockers, let me get it what you find... you find some chains thrown inside this

locker. But one of them is locked with a 4 digit lock, 4 numbers. D: There’s a lock here guys, with… GM: And it seems the most resistant locker of all, the most important one. D: I think this lock here is probably protecting something important. GM: Where are you searching? Sorry, just confirm it. You’re searching on the left, and when you’re looking at the lockers you notice, down on the floor, some papers. But one, one draws your attention. You find some kind of letter. I’ll get it for you. (Rakin: I pick up the letter.) GM: Here.

D: Guys, I found some kind of letter here. A: Read it for us. J: Read it. D: I can read. Rakin: There’s always this one, huh man? “Read for us”. [Laughters] Rakin: Always. Doesn’t matter the season, someone is always gonna end up fucked. Rakin: Okay. D: Dear Sir Arnaldo Fritz. As always, how you asked, the kids don’t have access to horror stories or heavy content. However, Gal is still rebellious, sneaking out to concerts of those diabolical songs, always followed by Henri, because he sees him as an older brother. I feel there’s no coming back for

Gal, he’s almost 18 and is getting more rebellious. However I think there’s still hope for Henri, he’s younger and I feel that with the right method he can change. How’s Lilian? Gaspar mentions her sometimes, despite having started to socialize a lot with Jasmin lately. Especially after the surgery. Well, actually the reason for this letter is because you asked us to warn you, in case of something irregular. In the last couple of months, I decided to keep an eye on Leonardo Gomes. He was always very good with words and convincing, not only with other kids but

also with the employees. I always felt he was… particular. Especially considering… well, you know. And I think I was right. He and some of the other orphans seem to be planning something, some kind of secret club. I think that it could be interesting if you visit the orphanage soon, mainly because Gal and Henri are in this group. Sincerely, Father Ronaldo. B: Dante, you know who this Lilian was, don’t you? D: I knew her, she was one of the girls that stayed here. K: You know everyone mentioned in this letter? D: I know everyone. Triz: Do

I know? Master. GM: Intelligence. B: Extreme. GM: Every name is very familiar, yes, every name in the letter except Lilian and Gaspar are familiar to you. Triz: Okay. B: I don’t remember any “Lilian”, Dante. B: And it’s like she was from outside, (D: You should’ve been here...) you called me Lilian when we met. D: You both look alike, maybe it’s because… You should’ve been here during a time when I wasn’t here in the orphanage, you were adopted, I don’t know, but there was a Lilian here, I know all of them, Gaspar, Gal, Henri. B: I

know them too, except Lilian and Gaspar. K: This Gaspar had surgery? D: Apparently. K: You know what for? D: No, I’m not really sure. J: Dante, there mentions that “Leonardo Gomes was particular. Mainly considering… well, you know”. Do you know what this means? D: He was the most popular here, everyone was friends with Leonardo, but he wasn’t very open with people. K: Leonardo is the same one that Luciano told us? (J: Then why did you…) D: That’s it. J: When did you start to do occultist things? D: After the orphanage caught on fire, 11 years

ago. Only me, Jasmin and Leonardo were together. J: It wasn’t with the other kids either, then. D: No, when we were kids nothing like this existed. GM: Ah, Beatrice, you don’t recognize Jasmin either, I forgot to mention. Triz: Okay. B: And who’s this Jasmin, she came to the orphanage after? D: Yes. B: I still haven’t convinced myself about this Lilian, it seems she was staying with Arnaldo, because Father Ronaldo is asking about her in this letter. D: Yes, sometimes they went out. B: [Tsc] The things you say are so strange. K: Okay and what? Did

everything there, let’s go? Lesgo? Go? Bye? J: Let’s follow this map. I’m curious about this question mark. Triz: Is there anything interesting left on the lockers? GM: There’s the locked locker with the 4 digit lock. (Rakin: There’s still the lock...) Triz: Can I try luck or something like that? (Rakin: That’s it.) GM: What number do you want to put? (Calango: Fuck.) Triz: Sorry? GM: Put a number there. Triz: Put a number here? GM: 4 digits, what do you want to put? K: Put 0965, it’s probably that. (A: 1234, maybe it’s the password.) Triz: I’ll try

2009. GM: You put 2009 and nothing happens. Triz: Okay. J: Don’t you want to just break this lock? D: I was going to say that now, Joui, you... (A: I can try to break it, I have lockpicking tools in my bag.) B: Great. A: This works, maybe? Guaxi: Does it work, Master? GM: No. Not with this lock. Digit locks don’t have a.... (Guaxi: Wow, you’re so false.) GM: ...way to put a key so you can’t break it in. Rakin: Knowing the locker's insides... Can I open another locker to analyze its structure? GM: There are some

open already. (Rakin: Not this specific one) Rakin: I want to look into it, to see if there’s, like, a handle. (GM: They are separated into partitions, yeah.) Calango: Kaiser is going to stare at the broken computer, dude. (Rakin: Then there’s a handle to open?) GM: No, the door opens for everything. Only one door opens everything. Rakin: No, but, I’m talking like… Oh, then one door opens all of the lockers? (GM: No, no, no, no.) GM: What do you mean? I don't understand what you're asking. Rakin: I want to know how it works, if there’s, like,

some kind of handle. that makes it open to the right side, to the left, like... (GM: It’s like a locker… ) GM: No, it’s like… No, you pull it, it’s a door that you open. D: Joui, do you think you can use your sword on the section, where there are... the handles that hold the lock… the locker? D: Instead of breaking the lock itself? It’s pretty old. (GM: You’re muted Luba, Luba.) J: My sword? D: Yes, I think you can try. GM: The locker is not that destroyed, it probably wouldn't break with a single sword

hit. Rakin: A few hits, then. Guaxi: Did anyone come here already, Master? GM: This part doesn’t seem to have a lot of things, actually. There are only some... some broken screens and broken technology pieces. Guaxi: All right. B: I think we could blow up this lock with a silent shot. J: I also think, I don’t wanna get my sword dirty. (B: Yeah, your sword, huh.) A: I have a silencer. (D: I understand.) B: Great. A: Alright, let’s break this, then. Rakin: I’ll be very far from here. Wow, I already left, son. Guaxi: I’ll be really

close to it. Luba: I’m also far from it. Rakin: Bounce off is not my thing. (Guaxi: All right.) Guaxi: Okay, I’ll aim and shoot. GM: You blow the lock-up, shoot. Roll the damage. (Calango: You’re crazy.) Guaxi: Damage? All right. (GM: Yeah.) Guaxi: One. [Laughs] GM: You scrape past, the lock is still there. A: Yeah guys, we need to solve it. ( J: Try again.) A: Again? Okay. (J: Try again.) Guaxi: I’ll shoot again. GM: It scrapes past it and hits the locker. Then the next? A: Yeah guys, we’re gonna need to solve this. GM: You

shoot again? (J: Shit, I miss my shotgun.) Guaxi: No. Rakin: You didn’t shoot the second time? Guaxi: You want me to shoot again? I’ll do it again. Guaxi: Can I roll the damage or not? (GM: Roll the damage.) Guaxi: 4. GM: 4? You do it, finally [Pwaf] the lock breaks in pieces... and the door... [rusty door opening] ...opens a little crack. And Arthur. Guaxi: Oh, no. GM: Isn't it strange how there’s someone inside of this locker? A: Kaiser. B: What is it Arthur, what face is that? A: Kaiser. K: Hey. Calango: I go up to

him. GM: Sanity test, please, Arthur. (A: The eye.) Guaxi: You’re dirty. Guaxi: Failed. GM: Okay. You see that same eye, with the two yellow pupils, looking at you through the crack. You call Kaiser, you look at him, you look back and it’s just an open crack. Guaxi: I didn’t want to look at it, dude, but okay. A: The eye was there. K: Again? A: The eye was there. B: What did you see? Is there something inside the locker? D: What do you mean by eye? Rakin: I get close to the locker and open it, I

look inside. GM: You open the locker and it’s empty, but there’s a key inside of it. GM: A big key, a little bit old. (Luba: It’s for the lock.) D: Arthur, there’s only a key here, there’s no eye. Rakin: I get the key. J: Keep it, let’s follow up, guys. (GM: Put it in your inventory, so you don’t forget.) Rakin: Alright. K: Hey, Arthur, do you think Dante knows something about this? A: I think it doesn't hurt to ask, right? K: So Dante, here’s the problem. You’re the paranormal guy, there are some days that me

and Arthur... There're some strange things happening to us. We... When we least expect it, we feel something watching us. And when we look there’s always the same eye, it’s an eye on a crack. Before, there was a normal eye that cried. Now the eye pupil is divided in two and it looks more... I don’t know, deformed, each day. Do you know what that is? Rakin: Which roll, Master? GM: Paranormal Exposure. Rakin: Pray, bro. Guaxi: Please, some answers. Rakin: Wow, fail with 88? GM: You need to roll a small number. (Rakin: It’s a failure?) GM: The

less the better with Paranormal Exposure. (Rakin: Oh, it needs to be… But…) GM: You have no idea what he is talking about. (Rakin: Oh, got it.) D: Oh, I have no idea, sorry. I don’t know any kind of ritual that could do that. Have you tried talking to some doctor? Psychologist? Calango: I turn, I turn, I can’t believe he said that. I turn. [Everyone laughs.] K: I go away. J: [Whispering] Wait. Rakin: I don’t understand, I just... (Luba: I’ll go with them.) Rakin: Alright. I’ll follow behind. (GM: Kaiser.) GM: You start to feel a little

anxious. (A: I don’t think he likes psychologists.) GM: You start to feel nervous. You feel you’re about to have a panic attack. I’ll ask you to roll a Power test. Calango: Okay. Regular. GM: You can breathe a bit. And you almost have a panic attack but you breathe, you calm down. The situation is tense but you can keep up. Calango: Okay. GM: You want to explain how you tried to keep calm? Calango: Man, from behind, Joui could see that I spasmed, like this, with the neck. I was a little shaky, but I don't know if

they could tell. I reached into my pocket and pulled out that picture of me with… Calango: I can pull it if you want to. GM: You can. Calango: Which is that one, this one. GM: Can I change it? Calango: Yeah, you can. GM: You look in your pocket for the first photo you can find and you do. And you pull the picture of Arthur and Beatrice.... in the van. You look at it, at first, searching for comfort, but there’s something wrong. Calango: You’re kidding. (Luba: Oh!) Guaxi: Oh my God, dude. GM: I want you to

roll a sanity test for me. (Luba: Fuck, I have goosebumps.) Calango: Fuck, bro, my mouth really got dry. (Rakin: Fuck.) Rakin: Wow, how tense. (Luba: Wow, I'm all goosebumps, fuck you.) Calango: Success. GM: You lose, Kaiser, 2 sanity points. You get a fright, a shock. At this moment, there's only one picture, just one smile will keep you sane. And something is still wrong. Triz: [Surprise sound] GM: His smile is not there anymore. (Calango: Gosh.) Luba: Wow man, I literally have goosebumps. GM: And the episode ends here. Guaxi: Ah, fuck you dude. (Luba: What?) GM: A

lot of things can happen here. I’ll... (Guaxi: How can you?) Guaxi: Look at how you finish this, damn, hairy man! (Triz: Here?!) GM: Sorry, we have some things to explore in this orphanage. (Calango: Gosh, dude.) Triz: Some? There’s everything. GM: The orphanage bro, we’re just starting. Thank you so much, one more time, everyone for watching. Thank you for being amazing players. If you want to make a last comment… (Rakin: Wow.) GM: We had some technical issues in this episode, but we’re going to fix them. Guaxi: Yeah, nothing that got in the way of the show.

(Luba: Very good, good as always.) Calango: I wasn’t expecting that; fuck, my only resource was my pictures, it’s gone. (Triz: We’re fucked.) Guaxi: I told you to use Boomerang on the phone, it’s a lot easier. (Triz: Dude.) GM: Thank you one more time, stay safe and I’ll see you... (Luba: Thanks friends, thank you, chat.) GM: ....next Saturday at 6 p.m, for another episode.... (Triz: Bye.) GM: ...of Paranormal Order: Deconjuration. (Guaxi: [Kiss noise]) GM: What does this orphanage have for us? Guaxi: Bye guys. (GM: See you.) Luba: Bye, hairy man. (Calango: [With a child’s voice] Bye

guys.) [OUTRO] Subtitles and Translation by Equipe T @Equipe__T on Twitter