I Work as a Priest. These are my TERRIFYING Stories of the Supernatural.

I had never been one for theatrics, even  when I took the vows. Faith, I reasoned, didn’t require spectacle—just quiet conviction  and discipline. Yet, the Church seemed to attract the opposite, whether in the shrill wails  of penitents in the confessional or in the odd behaviors I encountered during my rounds. 

Over the years, I learned to brace myself for the unusual. What I didn’t expect was how many  of those moments would stay with me, clinging like oil to the soul, refusing to wash away. It began subtly, as most things do.

Early in my career, I was assigned to a rural parish in a town  so small it barely qualified as one. People here lived in silence, their faith the kind whispered  in dim kitchens or on sun-beaten porches. My arrival was met with polite indifference. 

Hushed conversations would die as I approached; glances would dart to me, then away. They  wanted me there, needed me there, but they feared something they never spoke of directly. The first time I heard of the "rules" was during an otherwise unremarkable confessional.

A woman,  her voice quivering, whispered through the grate: "Father, it comes every few years. We  keep the doors locked. We leave no light.

" Before I could ask what "it" was, she hurried  on with a rote recitation of her sins—minor grievances about a neighbor, lapses in patience  with her children. I pressed her for details, but she shook her head, her words tumbling over  themselves as she fled the booth. I didn’t chase her; I thought she was deluded.

It wasn’t until  later that I began to piece things together. One night, as I prepared for bed, a pounding  erupted at the rectory door. A young boy, no older than ten, stood on the threshold.

His  eyes were wide and glassy, his breathing shallow. "Father," he rasped, "it's here. " Before I could question him, he grabbed my wrist and pulled me toward  the edge of the woods.

The boy's father, a wiry man with a deep-set scowl, met us there,  his hands clutching a shotgun. He didn’t speak; he only nodded and motioned for us to follow. Deep in the forest, we came upon the carcass of a deer.

Or at least, that’s what it had been. Its  body had been eviscerated, ribs splintered outward as though something had erupted from within.  The flesh was streaked with a thick black slime, and the stench was unlike anything I’d  encountered—metallic and rancid, as though the meat itself was rotting in fast-forward.

"Tracks," the man muttered, pointing to the ground. They were enormous, clawed,  and oddly misshapen, like a biped that had never quite mastered walking upright. Before I could fully process what I was seeing, a low growl vibrated through the trees.

The boy  screamed, and his father raised the shotgun, but the sound was cut short by something moving—too  fast to follow—through the branches above us. I caught only glimpses: a leathery, elongated  body; too many limbs; a face that wasn’t so much a face as it was a collection of moving part. "Go back to the Church," the father barked.

I didn’t argue. We ran, but  whatever it was didn’t follow. I never saw the man or his son again. 

The following day, their house was empty, their belongings abandoned. I never asked the town  about them; I didn’t want to hear their answers. The next year, a new confessional booth was  delivered.

The old one, with its warped wood and threadbare curtain, had been in service longer  than anyone could remember. I should have thrown it out. Instead, I kept it in the storage room,  out of some misplaced sense of sentimentality.

I began to regret that  decision almost immediately. One evening, after locking up the Church, I  heard a faint rustling coming from the storage room. I chalked it up to mice and resolved to deal  with it in the morning.

But the sound persisted, louder now—like fabric tearing, accompanied by  a low whispering that I couldn’t quite make out. Against my better judgment, I unlocked the door. The old confessional stood there, but its curtain was moving, as though caught in a breeze.

I  knew it was impossible; the room was sealed, and there was no draft. I stepped closer,  heart pounding, and pulled the curtain aside. There was nothing inside.

No mice, no source  of the noise. Just the empty booth. I let the curtain fall and turned to leave, but the  whispering began again.

Louder. Clearer. "Father," it said.

A woman’s voice. I  whipped around. The curtain was open now, and seated inside was a figure—a woman, her  face pale and blurred, as though seen through frosted glass.

Her lips moved, but the words  came too fast, overlapping and incoherent. I reached out, instinctively, and as my fingers  brushed the wood, the image disappeared. The next morning, I burned the booth. 

The whispers didn’t stop for three days. It was during my fifth year that I  met him. Or it.

I’m still not sure. The man was unremarkable at first  glance—middle-aged, neatly dressed, with a polite smile that didn’t quite  reach his eyes. He attended Mass regularly, sitting in the back pew, always  leaving before Communion.

I didn’t think much of it until one evening,  when he lingered after the service. "Father," he said, his voice low and  deliberate, "may I speak with you privately? " We went to my office, and he sat across  from me, hands folded neatly in his lap.

His gaze was unsettling—not because of its  intensity, but because of its emptiness. "I’ve seen you in dreams," he said.  "You’ve seen me too, haven’t you?

" I started to respond, but he cut me  off. "No, don’t answer. I already know.

" As he spoke, I noticed his eyes. They were  black—not dark brown, not hazel, but pure, liquid black, reflecting nothing. He smiled again, wider  this time, revealing teeth that were too many.

"I’ve been here a long time," he  continued. "Longer than you. Longer than this town.

I just wanted to thank  you, Father, for keeping the door open. " "What door? " His grin widened as I asked that and for a moment, I thought I saw something  flicker across his face—a second set of features, grotesque and angular.

"You’ll see," he said, standing abruptly. He walked to the door,  paused, and turned back to me. "Soon.

" He didn’t attend Mass again. A week later, the rectory basement flooded for no discernible  reason. The water was ice-cold and pitch black.

The Church had an attic, though I rarely went  there. It was a cramped, dusty space filled with forgotten relics and boxes of records no one  cared to sort. One night, as I prepared a sermon, I heard singing drifting down from above. 

Faint and off-key, like a choir warming up. I climbed the narrow stairs, flashlight in hand.  The sound grew louder as I ascended, resolving into a hymn I didn’t recognize.

The words  were foreign, guttural, yet strangely melodic. At the top of the stairs, I stopped. The attic  was dark, but I could make out the shapes of figures—dozens of them—standing in neat rows,  their faces turned toward me.

Their features were indistinct, as though carved from wax and left  too close to the fire. They swayed as they sang, their movements jerky and unnatural. "Stop," I commanded, my voice breaking.

The singing ceased instantly. One by one, the figures turned and walked toward the far wall. As they moved, they dissolved  into the darkness.

When the last one was gone, the attic light flickered on. I never went up there again. Years later, I saw him again—the  black-eyed man.

He stood at the edge of the graveyard as I conducted a burial.  When the ceremony ended, he approached, his smile as unsettling as I remembered. "It’s open now," he said.

"You’ve done well. " I didn’t respond. I couldn’t.

I thought the black-eyed man would haunt my dreams for years, but his parting words faded into  the chaos of parish life. The Church had a way of demanding your attention, dragging you back to the  tangible: the soup kitchens, the leaking roofs, the dwindling collection plates. I wanted to  believe he had been a figment of my imagination, a product of sleepless nights and overwork.

But  something lingered, a feeling I couldn't shake. That feeling grew claws one winter afternoon,  when the little girl came to the confessional. It was a dreary day, the kind that took the warmth  from your bones.

I had decided to open the Church early, lighting candles to stave off the gloom.  The usual trickle of parishioners came and went, but she arrived alone, her tiny frame  silhouetted against the massive oak doors. She couldn’t have been more than seven  or eight, wearing a pale blue dress that seemed oddly thin for the weather.

She walked down the aisle slowly, her footsteps almost soundless, before  slipping into the confessional. I followed, unsure whether she had wandered in by accident. "Bless me, Father, for I have sinned," she began.

She recited the opening lines  with a precision that seemed rehearsed, her tone sweet and hesitant. “What sins would you like to confess, my child? ” There was a long silence.

Then her  voice returned, and it wasn’t hers. "You can’t save the sinners, Father. "  The words were guttural, rasping like stones grinding together.

"They belong to me now. " Before I could respond, she began to speak again,  but this time she sounded like a child again with a sing-song cadence—a poem, or perhaps a chant.  Her voice echoed through the confessional.

"They come with their guilt,  their whispers, their lies, But their souls are mine when the body dies. Their prayers fall flat, their tears turn cold, For faith won’t save what I already hold. You stand at the altar, you preach and you pray, But every sinner you bless will wither away.

My chains are forged, their links are tight, And I’ll drag them all screaming into the night. " My hands gripped the wooden sides of the  seat as if anchoring myself to reality. “Who are you?

” I finally managed to choke out. The girl laughed—a shrill, piercing sound that didn’t belong to a child. It reverberated,  seeming to come from everywhere.

“You already know, Father,” she said. .  And then, just like that, she was gone.

I stumbled out of the confessional, my legs  shaking. The girl was nowhere in sight, and the Church was empty. The only evidence she had  been there at all was the faint scent of sulfur.

A few weeks later, I was called to perform  a blessing at a nearby home. The family had recently moved in, and strange occurrences  had begun almost immediately—doors opening and closing on their own, a cold draft that never  seemed to dissipate, and, most disturbingly, the sound of a woman sobbing late at night. When I arrived, the house felt wrong.

The family—a young couple with an  infant—looked haggard and sleep-deprived. “She comes every night,” the wife explained,  clutching the baby to her chest. “Always the same time.

Midnight. We hear her crying, but  when we go to check, there’s no one there. ” I performed the usual rites, sprinkling  holy water in every corner of the house and reciting the prayers of exorcism. 

The sobbing began just as I finished. It was faint at first, barely audible,  but it grew louder with each passing second. It wasn’t just crying;  it was wailing, raw and guttural, the sound of someone in unimaginable  pain.

It came from upstairs. Against my better judgment, I followed  the sound. The master bedroom was empty, but the sobbing was deafening now.

I  turned to leave, and that’s when I saw her. She stood in the corner of the room, facing the  wall. Her figure was clad in a wedding gown, yellowed with age, its hem tattered and  stained.

Her veil obscured her face, but I could see strands of hair sticking out  at odd angles, damp and clinging to the fabric. “Leave,” I commanded, holding up the crucifix.  My voice was steady, but my hands shook.

She turned slowly, her movements unnatural,  as though she were being pulled by invisible strings. Her veil lifted slightly,  revealing a face that wasn’t human. She opened her mouth to scream, but no sound  came out.

Instead, the walls of the room began to shake violently. Furniture toppled, and the  air filled with the scent of rot and decay. I recited every prayer I knew, my  voice growing louder as she advanced.

Finally, she stopped, her form flickering  like a dying flame before vanishing entirely. The house was quiet after that, but the family  moved out a week later. I didn’t blame them.

The Church bell hadn’t rung in years.  It was cracked, its mechanisms rusted beyond repair. Yet one night, long after  I had retired to bed, it began to toll.

I sat up immediately, the sound jarring  in the stillness. It wasn’t the melodic chime I remembered from years ago;  it was a harsh, uneven clanging, as though someone were striking it with brute force. Grabbing my coat, I hurried to the bell tower.

The climb was grueling, the ancient staircase groaning  under my weight. When I reached the top, the bell was swinging wildly, though there was no wind and  no sign of anyone who could have set it in motion. And then I saw it—a figure hunched  in the corner.

Its head was bowed, and its hands, gnarled and skeletal,  clutched a length of frayed rope. The figure raised its head slowly. It  tilted its head as though studying me, then stood to its full height.

I stumbled backward, nearly losing my footing on the narrow platform. With a guttural, inhuman sound, it reached for me, but before it could touch me, the bell let  out one final, earsplitting toll. The figure dissolved into smoke, leaving behind only the  frayed rope, which fell to the floor in a heap.

As the years went on, the occurrences  grew stranger and more frequent. Each one felt like a test, a trial meant to  wear me down. But nothing could have prepared me for what happened last summer.

It was late in the evening, and I was locking up the Church when I noticed a man standing  by the altar. He was facing away from me, his posture rigid. “I’m sorry - we’re closed,” I called, but he didn’t move.

I approached cautiously. As I drew closer, I realized he wasn’t standing; he was hovering,  his feet a few inches off the ground. His head snapped around to face me.

It was the black-eyed man. “You should have listened,” he said,  his voice layered, as though a chorus of voices spoke through him. “Listened to what?

” I demanded. “To the girl. To the bride.

To all of them,”  he said, stepping toward me. “You think you can save them, but you can’t. They belong to me.

” I raised the crucifix, but he laughed—a hollow, bone-chilling sound that made the walls tremble. “It’s too late, Father. .

The door is open. ” With that, he vanished, leaving  me alone in the silent Church. But they always come back.

I’ve never been one to seek out confrontation. My role, as I’ve always understood it, was to guide  and to protect through faith, not through force. But after the black-eyed man’s warning—after  hearing those words again, “The door is open”—I knew I couldn’t sit idle anymore.

Whatever was  happening wasn’t just supernatural mischief or a test of faith. Something bigger was coming, and it  wasn’t going to stop until it consumed everything. I began preparing that very night.

The rituals  of exorcism had always been a last resort for me, but I could no longer avoid  them. I dug out the old texts, the ones I’d studied in seminary but hoped I’d  never need. I called the diocese for permission, and though they were hesitant—more concerned with  scandal than salvation—they ultimately approved.

What the black-eyed man had said about the "door"  haunted me. I didn’t know what door he meant or how it had been opened, but I was determined  to close it. I pored over every scrap of lore I could find, seeking anything that might give  me an edge.

Weeks passed, each night filled with restless study and uneasy silence. The Church  felt darker now, its walls pressing in on me. And then, just as I feared, the  final confrontation came to me.

It was a stormy evening, lightning  carving jagged scars across the sky. The air felt charged, heavy with  anticipation. I was alone in the rectory when I heard the front doors of the Church slam open.

The  sound echoed through the halls, followed by a low, guttural laugh that sent a chill up my spine. Grabbing my crucifix and the exorcism kit, I stepped into the nave. There, at the center  of the aisle, stood the black-eyed man.

His form flickered, as though he were caught between  this world and another. His grin was wider than ever, his teeth glinting like shards of glass. “I told you, Father,” he said, spreading his arms.

“The door is open. ” I held my ground, clutching the crucifix tightly. “I don’t care what  door you’ve opened.

You’re not staying. ” He laughed again, a sound that seemed  to reverberate inside my skull. “Oh, I’m not staying.

But he is. ” The air around him shimmered, distorting like heat waves.  Then the shimmer expanded, splitting open to reveal a gaping rift—a  doorway.

From it poured a foul wind, carrying with it the stench of decay and a chorus  of agonized screams. Something was coming through. It emerged slowly, as though savoring its  arrival.

First came the claws. Then the head, grotesque and malformed, with a wide, lipless  mouth that revealed jagged rows of teeth. Its eyes were empty sockets, glowing faintly  with a sickly green light.

Its body followed, a hulking mass of sinew and bone. The demon let out a guttural roar that shook the very foundations of the Church. The  black-eyed man stepped aside, bowing mockingly.

“All yours, Father,” he said  before vanishing into thin air. The demon turned its eyeless gaze  toward me and It spoke in a voice like grinding metal, words dripping with malice. “Priest.

You cannot stop what has begun. ” I took a step forward, raising the crucifix. “This  is the house of God.

You will not defile it. ” It roared again, the sound deafening, and lunged.  I barely had time to move, diving behind one of the pews as its claws tore through the air  where I had been standing.

The wood splintered under its strike, sending shards flying. I began the Rite of Exorcism, my voice trembling but determined. “In the name of Jesus Christ, I command you—depart from this place!

” The demon laughed, a hideous, choking sound. “Your words are weak, priest. Your faith is weak.

” It lashed out again, this time swiping at the altar. The sacred space erupted into flames, the  fire consuming the cloth and candles in seconds. I felt panic rise in my chest but pushed  it down.

I couldn’t let fear take hold. I continued the rite, moving carefully to keep  distance between myself and the creature. It was fast—unnaturally so—but clumsy in its movements,  as though its form was too large for this world.

I used that to my advantage, ducking behind pillars  and weaving through the pews as it pursued me. At one point, it cornered me, its massive  form blocking my escape. It raised a clawed hand to strike, but I thrust the crucifix  forward, pressing it against its flesh.

The reaction was immediate. Smoke  rose where the cross made contact, and the demon let out a pained, guttural howl. It  recoiled, giving me enough time to scramble away.

“In the name of the Father, and of the  Son, and of the Holy Spirit,” I shouted, my voice growing stronger with each  word. “I command you—leave this place! ” The demon’s form began to flicker, its edges  dissolving like ash caught in a breeze.

But it wasn’t done yet. With a final, desperate  roar, it charged, its claws outstretched. But I had prepared for this.

In my studies,  I’d learned of a binding ritual—a way to trap a demon within a consecrated space until it  could be banished entirely. It was risky, requiring the demon to willingly enter  the circle, but I had no other choice. I led it toward the altar, where I had  drawn the circle earlier that evening, hidden beneath the rug.

As it closed in, I stepped  into the center, raising the crucifix high. “Come then,” I taunted, my voice  steady. “Come and face the light.

” The demon hesitated, its eyeless  sockets narrowing as though sensing the trap. But its rage overpowered  its caution, and it lunged at me. The moment its claws crossed the boundary  of the circle, the symbols flared to life, glowing with an intense golden light.

The demon  let out an earsplitting scream, thrashing wildly as the circle’s power held it in place. I began the final incantation, my voice rising above the demon’s howls. “By the power of Christ, I bind you.

By His blood, I condemn you. Return  to the pit from which you came! ” The light grew brighter, surrounding  the demon completely.

Its form writhed, shrinking and collapsing in on itself as it was  pulled back through the rift. With one final, deafening roar, it vanished, and the  rift closed with a thunderous crack. The silence that followed was deafening.

The  flames at the altar had extinguished themselves, leaving only scorched wood and the faint smell of  smoke. The Church was in shambles—pews overturned, statues shattered—but it was  over. The demon was gone.

I collapsed to my knees, clutching the crucifix  tightly. For the first time in what felt like an eternity, I allowed myself to pray—not  out of desperation, but out of gratitude. In the weeks that followed, I repaired the Church  piece by piece, with help from the congregation.

Many of them had heard the commotion that night  but hadn’t dared to enter. When they saw the damage, they asked questions, but I gave them only  vague answers. The truth would have been too much.

The black-eyed man never returned. The rift  didn’t reopen. Whatever door had been unlocked was now firmly shut, sealed by faith and fire.

For the first time in years, I felt a sense of peace. I knew it might not last—that evil has  a way of finding cracks in even the strongest walls. But for now, the Church still stood as  a sanctuary, a place of light in the darkness.